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  • Issue 22 Fall 2021
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      • Bonnie Severien Fall 2021
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  • Issue 23 Spring 2022
    • Issue #23 Art Spring 2022 >
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Alexis Orgera

Knife Me a Weather of Walls


There is a color inside of the fucking, but it is not blue.
–Maggie Nelson

Bride me a favor, duplex it.
Dragon it in the soup I will make
on the cold nights,
on long nights. I floods torrential
in my longing, I stands
statue over a landscape
of animal skins. A filthy heap,
orificed in conjunction with lavish veins.
I’d be apportionate. I’d be a rotten deck-
slatting of purple degradation
on the bluest, o the bluest
bald horizon. Bellow me a favor, beast.
Blood honey are you.
Monster, fall. Salamander, knife me
​a weather of variegated walls.


The Good Girls Guide to Starting a Revolution


Redolent of code and hammer,
vocabulary of the marketplace

spells vacancy.
For the miracle,

for the miracle answer our green
bodies huddle against.

Stepping back into the fire
it’s taken so long for.

Our cells to remember, our cells
to be undutied mothers.

To the wolf, to the grabber
is the way and the wonder.

Says the father. Says the sister.
Every life’s a shelter.

If gambling, time aghast.
​If emptiness would learn to ask.
​

Deepening Into

                                          
Such a lovely gathering
of tuxedos and shiny red eggs.
Such pomp and distance and the music
like a dying girl in a chamber
of cement bubbles. The piano played
oh did it play without a player
without a body to accuse it
into action. And oh the night was quiet then
at the party where everyone mulled
and hushed and hushed to hear
the phantom piano playing. When the voice
the voice of like an angel spoke to them
to the party to the people at the ball
they’d already been silent for however many
years silence really takes to set in
and it said something into each of their ears
and they were we and we heard a secret
and then in the great hall a loud crash
​and from the crash a very large bird.
​

Animalia


Woke with a brontosaurus crowding
my heart, woke with it
in my thorax dressed
as something maximum, mentalist, dense.
Sad shark, are you my mind?
I think I would be happier
​filming grocery carts and fishing a lot.  


 


--
Alexis Orgera lives in southwest Florida in a half-remodeled bungalow. She is a poet, freelance writer/editor, and part-time professor at the local art school and is the author of two chapbooks, Illuminatrix (Forklift, Ink) and Dear Friends, The Birds Were Wonderful! (Blue Hour Press) and one full-length collection, How Like Foreign Objects (H_ngm_n Bks). Her poems, essays, interviews, and reviews can be found online and in print, most recently in Barrelhouse Online, Beecher’s Magazine, Big Bell, H_ngm_n, HTMLGiant, The Leveler, Parthenon West, RealPoetik, The Rumpus, Sixth Finch, and elsewhere.

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  • Home
  • About
    • Our Story
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    • Submit Here
  • Features
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  • Issue 22 Fall 2021
    • Issue #22 Art Fall 2021 >
      • Bonnie Severien Fall 2021
      • Camilla Taylor Fall 2021
      • Guilherme Bergamini Fall 2021
      • Emanuela Iorga Fall 2021
    • Issue #22 Poetry Fall 2021 >
      • Maureen Alsop Fall 2021
      • Annah Browning Fall 2021
      • Romana Iorga Fall 2021
      • Natalie Hampton Fall 2021
      • Sherine Gilmour Fall 2021
      • Adam Day Fall 2021
      • Amanda Auchter Fall 2021
      • Adam Tavel Fall 2021
      • Sara Moore Fall 2021
      • Karen Rigby Fall 2021
      • Daniel Zhang Fall 2021
      • Erika Lutzner Fall 2021
      • Kindall Fredricks Fall 2021
      • Cin Salach Fall 2021
      • Andrew Zawacki Fall 2021
      • Micah Ruelle Fall 2021
      • Rachel Stempel Fall 2021
      • Haley Wooning Fall 2021
      • Rikki Santer Fall 2021
      • Evy Shen Fall 2021
      • Suzanne Frischkorn Fall 2021
      • Danielle Rose Fall 2021
      • Eric Burgoyne Fall 2021
      • John Cullen Fall 2021
      • Maureen Seaton Fall 2021
      • Hannah Stephens Fall 2021
    • Issue #22 Nonfiction Fall 2021 >
      • Kevin Grauke Fall 2021
      • Courtney Justus Fall 2021
      • Amy Nicholson Fall 2021
    • Issue #22 Fiction Fall 2021 >
      • Tina Jenkins Bell Fall 2021
      • David Obuchowski Fall 2021
      • Thomas Misuraca Fall 2021
      • Aiden Baker Fall 2021
      • Jenny Magnus Fall 2021
  • Issue 23 Spring 2022
    • Issue #23 Art Spring 2022 >
      • Jonathan Kvassay Spring 2022
      • Karyna McGlynn Spring 2022
      • Andrea Kowch Spring 2022
      • Layla Garcia-Torres Spring 2022
    • Issue #23 Poetry Spring 2022 >
      • Robin Gow Spring 2022
      • T.D. Walker Spring 2022
      • Jen Schalliol Huang Spring 2022
      • Yvonne Zipter Spring 2022
      • Carrie McGath Spring 2022
      • Lupita Eyde-Tucker Spring 2022
      • Susan L. Leary Spring 2022
      • Kate Sweeney Spring 2022
      • Rita Mookerjee Spring 2022
      • Erin Carlyle Spring 2022
      • Cori Bratty-Rudd Spring 2022
      • Jen Karetnick Spring 2022
      • Meghan Sterling Spring 2022
      • Lorelei Bacht Spring 2022
      • Michael Passafiume Spring 2022
      • Jeannine Hall Gailey Spring 2022
      • Phil Goldstein Spring 2022
      • Michael Mingo Spring 2022
      • Angie Macri Spring 2022
      • Martha Silano Spring 2022
      • Vismai Rao Spring 2022
      • Anna Laura Reeve Spring 2022
      • Jenny Irish Spring 2022
      • Marek Kulig Spring 2022
      • Jami Macarty Spring 2022
      • Sarah A. Rae Spring 2022
      • Brittney Corrigan Spring 2022
      • Callista Buchen Spring 2022
      • Issam Zineh Spring 2022
      • MICHAEL CHANG Spring 2022
      • henry 7. reneau, jr. Spring 2022
      • Leah Umansky Spring 2022
      • Cody Beck Spring 2022
      • Danyal Kim Spring 2022
      • Rachel DeWoskin Spring 2022
    • Issue #23 Fiction Spring 2022 >
      • Melissa Boberg Spring 2022
    • Issue #23 Nonfiction Spring 2022 >
      • Srinaath Perangur Spring 2022
      • Audrey T. Carroll Spring 2022
  • Issue #24 Fall 2022
    • Issue #24 Art Fall 2022 >
      • Marsha Solomon Fall 2022
      • Edward Lee Fall 2022
      • Harryette Mullen Fall 2022
      • Jezzelle Kellam Fall 2022
      • Irina Greciuhina Fall 2022
      • Natalie Christensen Fall 2022
      • Mark Yale Harris Fall 2022
      • Amy Nelder Fall 2022
      • Bette Ridgeway Fall 2022
      • Ursula Sokolowska Fall 2022
    • Issue #24 Poetry Fall 2022 >
      • William Stobb Fall 2022
      • e Fall 2022
      • Stefanie Kirby Fall 2022
      • Lisa Ampleman Fall 2022
      • Will Cordeiro Fall 2022
      • Jesica Davis Fall 2022
      • Peter O'Donovan Fall 2022
      • Mackenzie Carignan Fall 2022
      • Jason Fraley Fall 2022
      • Barbara Saunier Fall 2022
      • Chad Weeden Fall 2022
      • Nick Rattner Fall 2022
      • Cynthia Schwartzberg Edlow Fall 2022
      • Summer J. Hart Fall 2022
      • Daniel Suá​rez Fall 2022
      • Sara Kearns Fall 2022
      • Millicent Borges Accardi Fall 2022
      • Liz Robbins Fall 2022
      • john compton Fall 2022
      • Esther Sadoff Fall 2022
      • Whitney Koo Fall 2022
      • W. J. Lofton Fall 2022
      • Rachel Reynolds Fall 2022
      • Kimberly Ann Priest Fall 2022
      • Annie Przypyszny Fall 2022
      • Konstantin Kulakov Fall 2022
      • Nellie Cox Fall 2022
      • Jennifer Martelli Fall 2022
      • SM Stubbs Fall 2022
      • Joshua Bird Fall 2022
    • Issue #24 Fiction Fall 2022 >
      • Otis Fuqua Fall 2022
      • Hannah Harlow Fall 2022
      • Natalia Nebel Fall 2022
      • Kate Maxwell Fall 2022
      • Helena Pantsis Fall 2022
    • Issue #24 Nonfiction Fall 2022 >
      • Courtney Ludwick Fall 2022
      • Anna Oberg Fall 2022
      • Acadia Currah Fall 2022