I was apologizing before I learned to whistle. Then, I was a chronic hummer. I was starfished in March with nothing to lose but my head. I was theorizing the direction of the wind–perpendicular to my mother. Mitski said There’s nothing left for you so I skipped stones in Lake Michigan and lived off birdseed and hummus. So what if I couldn’t swim? I was constructing boneyards between campgrounds. I was writing ghosts like skeletons like contrails like lacunas between my thighs, then rewriting myself in -to something tiny, something tapered. The tally marks corroded, the days slow and whittling. No one looked for me. I know, I know, I know.
Taxidermy
Between a grass blade of snowfall and birdsong, my mother teaches me to slick white cream across my legs. It ends with my thighs snapped shut and her shriek skittering across the tiles like wildfire. I am always the watchdog, or witch, or heart -less daughter. Still, my mother knows apology as in hunger, takes me to dinner only to run over a greyhound. I do not cry, only watch its yellow tongue spill from its jaw-- how its paws plant themselves into cement like wildflowers. She leaves her ribs in Texas Roadhouse. That night, I witness my mother stab each baby's breath into a freckled jar, splintering sunflower seeds between her canines. My self-help books advised me to think fresh -water and grow fat on fried eggs and raw milk. Naturally, I forgot about dead animals, the lot of them. But spring came early and I bailed, again. I didn't want to burn.
-- Grace Marie Liu is a Chinese-American poet from Michigan. A 2024 YoungArts National Winner with Distinction in Poetry and an alumna of the Adroit Journal Summer Mentorship Program and the Iowa Young Writers' Studio, her writing has appeared or is forthcoming in The Minnesota Review, Sundog Lit, and Up the Staircase Quarterly, among others. She serves as an Editor-in-Chief for Polyphony Lit.