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Dennis Hinrichsen​
​

[mosaic] [WITH GATSBY AND THE SOUR DEAD]

                               wind all night last night—a low fire
zombie substrate—like in the Arctic

               now--

those nightmare scenes I keep repeating

               freshly fanged--
                              brain nearly

               digital these days--
                              even at rest
it scrolls—brain
​

                              still with its doors not blown out--
that’s my friend--

               all his framing’s splintered--

wind has pushed him to cliff edge

               in just four months--
                              he is slack--

               windless—a jib--
                              really gibbet—hanging
between nurse and partner


                              to take a piss--
he forgets his daughter’s name

               but not her face--

wakes from napping—looks for me--

               but it’s just
                              Death there--

               ​not low and delicious
                              as Whitman had it--
but vulgar mostly—lyric--


                              how could it not be otherwise--
that’s how we spoke--

               walking Crane Beach

or that Gatsby lawn fronting the estate--

               desiring
                              not money

               but its hidden healing power--
                              loving daughters--
world as fuel as friendship is--


                              as bodies are--
father—brother—husband—wife--

               all the sour dead

keening as we the living burn--

               seeing only the grief
                              in it--

               where is the joy--
                              the promised new life--
there’s a gap in theory


                              somewhere--
Dear godrot--Dear thing-in-the-night that pierces

               the brain--

how is it you so easily cut away

               at us
                              ​we mistake you for the shapes of care

[dominion] [WITH JOHN KEATS AND A NAPKIN]

sometimes I am so eternal I am Keats’ nightingale

               lip-synching

my own private trauma—that age-old human-

                              woe-

porn—magnificent and temporal in the singing--

               but I’ll be

done soon—being mortal—nearing 70—I can’t

                              carry him

anymore—he can groan away in that other world--

               literature—his

royalties crypto (by the line—like Poetry does)--

                              so he

can reap the love and fame many these days are

               reaping—lesser

talents sure—but we’ve evolved—the computations

                              shift—it renders

down to voice the constant X—the criminal

               (eternal)

(see above) vagaries of a era—the real trauma-

                              porn--

necessary—given diminishment (constant)—naked

               murder--

how we manifest what we define as love—the way

                              some men now

would kill a nightingale if they could—failing that

               they turn to

women—who are songbirds sometimes—eaten

                              behind a napkin--

by the beak—sometimes—it is happening now--

               on full display

—O John Keats your poem is ruins—bust with

                              its nose

blown off—stumps for arms—not quite that

               next

museum—heaven—if you believe such things--

                              but the di-

alectic is the same—new bird with new

               song in the

trees mornings and a praying mantis in

                              the yard—I

oscillate between the two—song in my ear--

               forlorn—yes--

then memory of song—and then the man-

                              tis--
​
its trip-wire quickness—in a spray of flowers

--
Dennis Hinrichsen’s most recent work is Flesh-plastique from Green Linden Press, published March 2023. He has new work appearing or forthcoming in diode, The Glacier, Leon Literary Review, The Pedestal and Timber. He lives in Lansing, Michigan.

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  • Home
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  • Issue #27 Spring 2024
    • Issue #27 Art Spring 2024 >
      • Kristina Erny Spring 2024
      • Luiza Maia Spring 2024
      • Christy Lee Rogers Spring 2024
      • Erika Lynet Salvador Spring 2024
      • Marsha Solomon Spring 2024
    • Issue #27 Poetry Spring 2024 >
      • Terry Belew Spring 2024
      • Dustin Brookshire​ & Diamond Forde Spring 2024 Spring 2024
      • Dustin Brookshire​ & Caridad Moro-Gronlier Spring 2024 Spring 2024
      • Charlie Coleman Spring 2024
      • Isabelle Doyle Spring 2024
      • Reyzl Grace Spring 2024
      • Kelly Gray Spring 2024
      • Meredith Herndon Spring 2024
      • Mina Khan Spring 2024
      • Anoushka Kumar Spring 2024
      • Cate Latimer Spring 2024
      • BEE LB Spring 2024
      • Grace Marie Liu​ Spring 2024
      • Sarah Mills Spring 2024
      • Faisal Mohyuddin 2024
      • Marcus Myers Spring 2024
      • Mike Puican Spring 2024
      • Sarah Sorensen Spring 2024
      • Lynne Thompson Spring 2024
      • Natalie Tombasco Spring 2024
      • Alexandra van de Kamp Spring 2024
      • Donna Vorreyer Spring 2024
    • Fiction #27 Spring 2024 >
      • Bryan Betancur Spring 2024
      • Karen George Spring 2024
      • Raja'a Khalid Spring 2024
      • Riley Manning Spring 2024
      • Adina Polatsek Spring 2024
      • Beth Sherman Spring 2024
    • Nonfiction #27 Spring 2024 >
      • Liza Olson Spring 2024
  • Issue #28 Fall 2024
    • Issue #28 Art Fall 2024 >
      • Eric Calloway Fall 2024
      • Matthew Fertel Fall 2024
      • JooLee Kang Fall 2024
      • Jian Kim Fall 2024
      • Robb Kunz Fall 2024
      • Sean Layh Fall 2024
    • Issue #28 Poetry Fall 2024 >
      • Jodi Balas Fall 2024
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      • Alex Tretbar Fall 2024
      • Ruth Williams Fall 2024
      • Shannon K. Winston Fall 2024
      • Wendy Wisner Fall 2024
      • Anne Gerard Fall 2024
    • Issue #28 Fiction Fall 2024 >
      • J​oe Baumann Fall 2024
      • ​Morganne Howell Fall 2024
      • Matt Paczkowski Fall 2024
      • Ryan Peed Fall 2024
      • Gabriella Pitts Fall 2024
      • James Sullivan Fall 2024
  • Issue #29 Spring 2025
    • Issue #29 Art Spring 2025 >
      • Irina Greciuhina Spring 2025
      • Jesse Howard Spring 2025
      • Paul Simmons Spring 2025
      • Marsha Solomon Spring 2025
      • Elzbieta Zdunek Spring 2025
      • Na Yoon Amelia Cha-Ryu Spring 2025
    • Issue #29 Poetry Spring 2025 >
      • Deborah Bacharach Spring 2025
      • Diego Báez Spring 2025
      • Jaswinder Bolina Spring 2025
      • ​Ash Bowen Spring 2025
      • Christian J. Collier Spring 2025
      • ​Shou Jie Eng Spring 2025
      • Sara Fitzpatrick Spring 2025
      • Matthew Gilbert Spring 2025
      • Tammy C. Greenwood Spring 2025
      • Alejandra Hernández ​Spring 2025
      • Ben Kline ​Spring 2025
      • ​David Moolten Spring 2025
      • ​Tamer Mostafa Spring 2025
      • ​Rongfei Mu Spring 2025
      • Cynthia Neely Spring 2025
      • Pablo Otavalo Spring 2025
      • ​Bleah Patterson Spring 2025
      • ​M.A. Scott Spring 2025
      • ​Liam Strong ​ Spring 2025
      • Alexandra van de Kamp Spring 2025
      • ​Cassandra Whitaker Spring 2025
      • Angelique Zobitz Spring 2025
    • Issue #29 Fiction Spring 2025 >
      • Vanessa Blakeslee Spring 2025
      • K. J. Coyle Spring 2025
      • Meredith MacLeod Davidson Spring 2025
      • Jessica Mosher Spring 2025
    • Issue #29 Nonfiction Spring 2025 >
      • JM Huscher Spring 2025
      • Qurrat ul Ain Raza Abbas Spring 2025