Andrea Kowch
001B 1201
Soujourn
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GJM1251
The Courtiers
The Feast
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Artist Statement
Inspired by memories, inner emotions, history, and my fascination with nature and the human psyche, the stories behind my paintings stem from life’s emotions and experiences, resulting in narrative, allegorical imagery that illustrates the parallels between human experience and the mysteries of the natural world.
The lonely, desolate American landscape encompassing the paintings’ subjects serves as an exploration of nature’s sacredness and a reflection of the human soul, symbolizing all things powerful, fragile, and eternal. These real, yet dreamlike, scenarios serve as metaphors for the human condition, all retaining a sense of vagueness because I wish to involve and motivate the viewer in uncovering the various layers of mood and meaning to form conclusions from their own perspective, despite that my main idea will always be before them.
We all share a common thread, and as active participants in an ever-changing modern world, the purpose of my work is to remind viewers of these places that we sometimes perceive no longer exist, and to recognize and honor them as a part of our history that is worth preserving.
In juxtaposing the human form with animals and a bygone uninhibited American landscape, I provide glimpses into “rooms,” those often times chaotic places we possess internally. The rural, Mid-western landscape of my home state serves as backdrop for the stage of human emotions. The animals present are vehicles for expressing the feelings and underlying tensions suppressed behind the human mask. Symbolic explorations of the soul and events concerning our environment are expressed through the combination of these elements to transform personal ideas into universal metaphors.
The lonely, desolate American landscape encompassing the paintings’ subjects serves as an exploration of nature’s sacredness and a reflection of the human soul, symbolizing all things powerful, fragile, and eternal. These real, yet dreamlike, scenarios serve as metaphors for the human condition, all retaining a sense of vagueness because I wish to involve and motivate the viewer in uncovering the various layers of mood and meaning to form conclusions from their own perspective, despite that my main idea will always be before them.
We all share a common thread, and as active participants in an ever-changing modern world, the purpose of my work is to remind viewers of these places that we sometimes perceive no longer exist, and to recognize and honor them as a part of our history that is worth preserving.
In juxtaposing the human form with animals and a bygone uninhibited American landscape, I provide glimpses into “rooms,” those often times chaotic places we possess internally. The rural, Mid-western landscape of my home state serves as backdrop for the stage of human emotions. The animals present are vehicles for expressing the feelings and underlying tensions suppressed behind the human mask. Symbolic explorations of the soul and events concerning our environment are expressed through the combination of these elements to transform personal ideas into universal metaphors.
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Andrea Kowch has been described as “a powerful voice emerging, demonstrating a highly sensitive consciousness that informs a culturally-laced symbolism.” Born in Detroit, Michigan in 1986, she attended the College for Creative Studies on scholarship, and graduated Summa Cum Laude with a BFA in 2009. Her paintings and works on paper are rich in mood, allegory, and precision of medium, reflecting a wealth of influences from Northern Renaissance and American art to the rural landscapes and vernacular architecture of her native Michigan. Kowch resides and works in Michigan where she paints full-time and enjoys giving back to the creative community by serving as an adjunct professor at the College for Creative Studies, and juror of various art exhibitions. She is represented exclusively by RJD Gallery in New York.