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  • Issue 22 Fall 2021
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      • Bonnie Severien Fall 2021
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    • Issue #22 Poetry Fall 2021 >
      • Maureen Alsop Fall 2021
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      • Natalie Hampton Fall 2021
      • Sherine Gilmour Fall 2021
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      • Sara Moore Fall 2021
      • Karen Rigby Fall 2021
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      • Cin Salach Fall 2021
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      • Haley Wooning Fall 2021
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      • John Cullen Fall 2021
      • Maureen Seaton Fall 2021
      • Hannah Stephens Fall 2021
    • Issue #22 Nonfiction Fall 2021 >
      • Kevin Grauke Fall 2021
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      • Amy Nicholson Fall 2021
    • Issue #22 Fiction Fall 2021 >
      • Tina Jenkins Bell Fall 2021
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      • Thomas Misuraca Fall 2021
      • Aiden Baker Fall 2021
      • Jenny Magnus Fall 2021
  • Issue 23 Spring 2022
    • Issue #23 Art Spring 2022 >
      • Jonathan Kvassay Spring 2022
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      • Andrea Kowch Spring 2022
      • Layla Garcia-Torres Spring 2022
    • Issue #23 Poetry Spring 2022 >
      • Robin Gow Spring 2022
      • T.D. Walker Spring 2022
      • Jen Schalliol Huang Spring 2022
      • Yvonne Zipter Spring 2022
      • Carrie McGath Spring 2022
      • Lupita Eyde-Tucker Spring 2022
      • Susan L. Leary Spring 2022
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      • Rita Mookerjee Spring 2022
      • Erin Carlyle Spring 2022
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      • Jen Karetnick Spring 2022
      • Meghan Sterling Spring 2022
      • Lorelei Bacht Spring 2022
      • Michael Passafiume Spring 2022
      • Jeannine Hall Gailey Spring 2022
      • Phil Goldstein Spring 2022
      • Michael Mingo Spring 2022
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      • Martha Silano Spring 2022
      • Vismai Rao Spring 2022
      • Anna Laura Reeve Spring 2022
      • Jenny Irish Spring 2022
      • Marek Kulig Spring 2022
      • Jami Macarty Spring 2022
      • Sarah A. Rae Spring 2022
      • Brittney Corrigan Spring 2022
      • Callista Buchen Spring 2022
      • Issam Zineh Spring 2022
      • MICHAEL CHANG Spring 2022
      • henry 7. reneau, jr. Spring 2022
      • Leah Umansky Spring 2022
      • Cody Beck Spring 2022
      • Danyal Kim Spring 2022
      • Rachel DeWoskin Spring 2022
    • Issue #23 Fiction Spring 2022 >
      • Melissa Boberg Spring 2022
    • Issue #23 Nonfiction Spring 2022 >
      • Srinaath Perangur Spring 2022
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  • Issue #24 Fall 2022
    • Issue #24 Art Fall 2022 >
      • Marsha Solomon Fall 2022
      • Edward Lee Fall 2022
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    • Issue #24 Poetry Fall 2022 >
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      • e Fall 2022
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    • Issue #24 Fiction Fall 2022 >
      • Otis Fuqua Fall 2022
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    • Issue #24 Nonfiction Fall 2022 >
      • Courtney Ludwick Fall 2022
      • Anna Oberg Fall 2022
      • Acadia Currah Fall 2022

Brianna Noll

L.A. Cento #6

           
I’m looking for the best screenwriter
of your generation. Is that you?
 
            I’m out here in the wilderness of ideas, but
            if I push thoughts of distress and unemployment
            out of my mind, I can do more than string
            a sentence together.
 
It’s a hard world for women—they’ve
done studies. What do you say?
 
            Where I grew up there was a lot to contend
            with. Saying it’s all gonna work out fine isn’t
            always enough to spur a young woman on.
 
Do you know Los Angeles?
 
            I know I don’t believe in stereotypical Hollywood
            chick-killing dream sequences.
 
We all gotta dream, don’t we?
 
            I believe that wholeheartedly. I’m a writer.
            I carry a rabbit in this troubled but
            beautiful world.
 
You’re from the suburbs. Do you know what fear
of the poor means in real life?

 
            You’re fucked from birth, writing the worst
            tweet of the day instead of making peace with
            what you don’t have.
 
Is this the start of a psychopath movie?
 
            It’s not crazy or quirky enough. No one’s
            shooting a thousand bullets a minute.
 
What if this psycho story becomes the final
thoughts of a man who chose not the darkness
but the light?

            Then at the critical moment, the great fuckin’ psycho-
            path starts behaving like a decent human being.
 
I’ve been reading your art and peace movie.
What else have you done?
 
            Focusing on framing, on dissolving the barrier
            between the subject and the outside, I sat watching
            the shadow of a little shih tzu, a little message
            about the afterlife.
 
Do you know what that is?
 
            Some gray place. It’s really emotional, having once
            been so much in love with the angels, but I think
            that’s the best we’re gonna get.

​


Sources: Seven Psychopaths (2012) & Nightcrawler (2014)


L.A. Cento #7


Hello, my love, my troublemaker.
Let’s roll. We’ll check out the dress
department at Bloomingdale’s and
try on pretty dresses my family could
never afford, then go to Roscoe’s
Chicken and Waffles. On me.
You best believe I will accept no
substitutes. What’s wrong? Stop.
Stop it. This elegant man is very old
fashioned and wants you to be very
miserable. Don’t let him rob you
of your own ambition. I’ve flown
seven million miles—seen Mexico
and Japan, Koreatown and Compton--
and God knows it’s hard, and
expensive, for a woman to think
herself gold and not a shriveled-up
mango. Listen: You’re 13
years old and work an overlock
machine. You’re a 19-year-old
country girl, white and barefoot,
on parole for possession with
intent. You’re a 44-year-old
black woman, a stewardess, with
retirement benefits that ain’t
worth a damn. You’re 56 years old,
and it looks really good on you,
but as a matter of principle
you think todo lo que soy bueno
es el trabajo. You know life is
handcuffed to sacrifice. You’re not
a hippo, an orca, a beast of burden.
You’re the very best there is,
con un corazón puro. How dare
anybody tell you otherwise.

​

Sources: Jackie Brown (1997) & Real Women Have Curves (2002)

L.A. Cento #8


I am only
words, not
a pretty
girl, not a
robot, not
a light happy
bouncy every-
thing’s fine L.A.
wife. I am only
a resemblance.
You write we’re
a couple, and
you’re the only
one that gets
a say in this.
I am the fear
you carry
around, your
cosmic significance,
your total
misreading of
anything real,
anything like
love. How
do you share
your life with
somebody you
imagine? The
spaces between
words are almost
infinite, and I
can’t live as
your book
anymore.

​


Sources: 500 Days of Summer (2009) & Her (2013)




--
Brianna Noll is the author of The Price of Scarlet (University Press of Kentucky, 2017), selected by Lisa Williams as the inaugural poetry collection in UPK’s New Poetry and Prose Series. She is Poetry Editor of The Account, which she helped found, and her poems have appeared widely in journals including the Kenyon Review Online, The Georgia Review, 32 Poems, Prairie Schooner, and Crazyhorse. She lives in Los Angeles.

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  • Home
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  • Issue 22 Fall 2021
    • Issue #22 Art Fall 2021 >
      • Bonnie Severien Fall 2021
      • Camilla Taylor Fall 2021
      • Guilherme Bergamini Fall 2021
      • Emanuela Iorga Fall 2021
    • Issue #22 Poetry Fall 2021 >
      • Maureen Alsop Fall 2021
      • Annah Browning Fall 2021
      • Romana Iorga Fall 2021
      • Natalie Hampton Fall 2021
      • Sherine Gilmour Fall 2021
      • Adam Day Fall 2021
      • Amanda Auchter Fall 2021
      • Adam Tavel Fall 2021
      • Sara Moore Fall 2021
      • Karen Rigby Fall 2021
      • Daniel Zhang Fall 2021
      • Erika Lutzner Fall 2021
      • Kindall Fredricks Fall 2021
      • Cin Salach Fall 2021
      • Andrew Zawacki Fall 2021
      • Micah Ruelle Fall 2021
      • Rachel Stempel Fall 2021
      • Haley Wooning Fall 2021
      • Rikki Santer Fall 2021
      • Evy Shen Fall 2021
      • Suzanne Frischkorn Fall 2021
      • Danielle Rose Fall 2021
      • Eric Burgoyne Fall 2021
      • John Cullen Fall 2021
      • Maureen Seaton Fall 2021
      • Hannah Stephens Fall 2021
    • Issue #22 Nonfiction Fall 2021 >
      • Kevin Grauke Fall 2021
      • Courtney Justus Fall 2021
      • Amy Nicholson Fall 2021
    • Issue #22 Fiction Fall 2021 >
      • Tina Jenkins Bell Fall 2021
      • David Obuchowski Fall 2021
      • Thomas Misuraca Fall 2021
      • Aiden Baker Fall 2021
      • Jenny Magnus Fall 2021
  • Issue 23 Spring 2022
    • Issue #23 Art Spring 2022 >
      • Jonathan Kvassay Spring 2022
      • Karyna McGlynn Spring 2022
      • Andrea Kowch Spring 2022
      • Layla Garcia-Torres Spring 2022
    • Issue #23 Poetry Spring 2022 >
      • Robin Gow Spring 2022
      • T.D. Walker Spring 2022
      • Jen Schalliol Huang Spring 2022
      • Yvonne Zipter Spring 2022
      • Carrie McGath Spring 2022
      • Lupita Eyde-Tucker Spring 2022
      • Susan L. Leary Spring 2022
      • Kate Sweeney Spring 2022
      • Rita Mookerjee Spring 2022
      • Erin Carlyle Spring 2022
      • Cori Bratty-Rudd Spring 2022
      • Jen Karetnick Spring 2022
      • Meghan Sterling Spring 2022
      • Lorelei Bacht Spring 2022
      • Michael Passafiume Spring 2022
      • Jeannine Hall Gailey Spring 2022
      • Phil Goldstein Spring 2022
      • Michael Mingo Spring 2022
      • Angie Macri Spring 2022
      • Martha Silano Spring 2022
      • Vismai Rao Spring 2022
      • Anna Laura Reeve Spring 2022
      • Jenny Irish Spring 2022
      • Marek Kulig Spring 2022
      • Jami Macarty Spring 2022
      • Sarah A. Rae Spring 2022
      • Brittney Corrigan Spring 2022
      • Callista Buchen Spring 2022
      • Issam Zineh Spring 2022
      • MICHAEL CHANG Spring 2022
      • henry 7. reneau, jr. Spring 2022
      • Leah Umansky Spring 2022
      • Cody Beck Spring 2022
      • Danyal Kim Spring 2022
      • Rachel DeWoskin Spring 2022
    • Issue #23 Fiction Spring 2022 >
      • Melissa Boberg Spring 2022
    • Issue #23 Nonfiction Spring 2022 >
      • Srinaath Perangur Spring 2022
      • Audrey T. Carroll Spring 2022
  • Issue #24 Fall 2022
    • Issue #24 Art Fall 2022 >
      • Marsha Solomon Fall 2022
      • Edward Lee Fall 2022
      • Harryette Mullen Fall 2022
      • Jezzelle Kellam Fall 2022
      • Irina Greciuhina Fall 2022
      • Natalie Christensen Fall 2022
      • Mark Yale Harris Fall 2022
      • Amy Nelder Fall 2022
      • Bette Ridgeway Fall 2022
      • Ursula Sokolowska Fall 2022
    • Issue #24 Poetry Fall 2022 >
      • William Stobb Fall 2022
      • e Fall 2022
      • Stefanie Kirby Fall 2022
      • Lisa Ampleman Fall 2022
      • Will Cordeiro Fall 2022
      • Jesica Davis Fall 2022
      • Peter O'Donovan Fall 2022
      • Mackenzie Carignan Fall 2022
      • Jason Fraley Fall 2022
      • Barbara Saunier Fall 2022
      • Chad Weeden Fall 2022
      • Nick Rattner Fall 2022
      • Cynthia Schwartzberg Edlow Fall 2022
      • Summer J. Hart Fall 2022
      • Daniel Suá​rez Fall 2022
      • Sara Kearns Fall 2022
      • Millicent Borges Accardi Fall 2022
      • Liz Robbins Fall 2022
      • john compton Fall 2022
      • Esther Sadoff Fall 2022
      • Whitney Koo Fall 2022
      • W. J. Lofton Fall 2022
      • Rachel Reynolds Fall 2022
      • Kimberly Ann Priest Fall 2022
      • Annie Przypyszny Fall 2022
      • Konstantin Kulakov Fall 2022
      • Nellie Cox Fall 2022
      • Jennifer Martelli Fall 2022
      • SM Stubbs Fall 2022
      • Joshua Bird Fall 2022
    • Issue #24 Fiction Fall 2022 >
      • Otis Fuqua Fall 2022
      • Hannah Harlow Fall 2022
      • Natalia Nebel Fall 2022
      • Kate Maxwell Fall 2022
      • Helena Pantsis Fall 2022
    • Issue #24 Nonfiction Fall 2022 >
      • Courtney Ludwick Fall 2022
      • Anna Oberg Fall 2022
      • Acadia Currah Fall 2022