I’m looking for the best screenwriter of your generation. Is that you?
I’m out here in the wilderness of ideas, but if I push thoughts of distress and unemployment out of my mind, I can do more than string a sentence together.
It’s a hard world for women—they’ve done studies. What do you say?
Where I grew up there was a lot to contend with. Saying it’s all gonna work out fine isn’t always enough to spur a young woman on.
Do you know Los Angeles?
I know I don’t believe in stereotypical Hollywood chick-killing dream sequences.
We all gotta dream, don’t we?
I believe that wholeheartedly. I’m a writer. I carry a rabbit in this troubled but beautiful world.
You’re from the suburbs. Do you know what fear of the poor means in real life?
You’re fucked from birth, writing the worst tweet of the day instead of making peace with what you don’t have.
Is this the start of a psychopath movie?
It’s not crazy or quirky enough. No one’s shooting a thousand bullets a minute.
What if this psycho story becomes the final thoughts of a man who chose not the darkness but the light?
Then at the critical moment, the great fuckin’ psycho- path starts behaving like a decent human being.
I’ve been reading your art and peace movie. What else have you done?
Focusing on framing, on dissolving the barrier between the subject and the outside, I sat watching the shadow of a little shih tzu, a little message about the afterlife.
Do you know what that is?
Some gray place. It’s really emotional, having once been so much in love with the angels, but I think that’s the best we’re gonna get.
Hello, my love, my troublemaker. Let’s roll. We’ll check out the dress department at Bloomingdale’s and try on pretty dresses my family could never afford, then go to Roscoe’s Chicken and Waffles. On me. You best believe I will accept no substitutes. What’s wrong? Stop. Stop it. This elegant man is very old fashioned and wants you to be very miserable. Don’t let him rob you of your own ambition. I’ve flown seven million miles—seen Mexico and Japan, Koreatown and Compton-- and God knows it’s hard, and expensive, for a woman to think herself gold and not a shriveled-up mango. Listen: You’re 13 years old and work an overlock machine. You’re a 19-year-old country girl, white and barefoot, on parole for possession with intent. You’re a 44-year-old black woman, a stewardess, with retirement benefits that ain’t worth a damn. You’re 56 years old, and it looks really good on you, but as a matter of principle you think todo lo que soy bueno es el trabajo. You know life is handcuffed to sacrifice. You’re not a hippo, an orca, a beast of burden. You’re the very best there is, con un corazón puro. How dare anybody tell you otherwise.
Sources: Jackie Brown (1997) & Real Women Have Curves (2002)
L.A. Cento #8
I am only words, not a pretty girl, not a robot, not a light happy bouncy every- thing’s fine L.A. wife. I am only a resemblance. You write we’re a couple, and you’re the only one that gets a say in this. I am the fear you carry around, your cosmic significance, your total misreading of anything real, anything like love. How do you share your life with somebody you imagine? The spaces between words are almost infinite, and I can’t live as your book anymore.
Sources: 500 Days of Summer (2009) & Her (2013)
-- Brianna Noll is the author of The Price of Scarlet (University Press of Kentucky, 2017), selected by Lisa Williams as the inaugural poetry collection in UPK’s New Poetry and Prose Series. She is Poetry Editor of The Account, which she helped found, and her poems have appeared widely in journals including the Kenyon Review Online, The GeorgiaReview, 32 Poems, Prairie Schooner, and Crazyhorse. She lives in Los Angeles.