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Book Review: Tonight, We Fuck the Trailer Park Out of Each Other by C. Russell Price

C. Russell Price
Tonight, We Fuck The Trailer Park Out of Each Other
Sibling Rivalry Press, 2016
ISBN: 978-1-943977-16-1 
$12.00 paperback


C. Russell Price is a genderqueer poet originally from Virginia but now lives on Chicago’s north side. Previous publications include Assaracus, Court Green, Hound, MiPOesias, Weave, and elsewhere. Price works with The Offing (a channel of the LA Review of Books), Story Club Magazine, and TriQuarterly. They are a 2015 Lambda fellow in poetry and hold a BA from the University of Virginia and an MFA from Northwestern University, where they currently teach creative writing. Price’s chapbook Tonight, We Fuck The Trailer Park Out of Each Other was released by Sibling Rivalry Press in Summer 2016. 
​


Review



































​A Review C. Russell Price's Tonight, We Fuck the Trailer Park Out of Each Other by R. E. Steele
 
C. Russell Price’s chapbook Tonight, We Fuck the Trailer Park Out of Each Other is a series of jagged turns through the streets of Chicago exploring relationships and self-harm from a queer writing lens. Their no-nonsense poetry is stylistically highlighted by bands such as Heart and The White Stripes. Price’s fondness for the sea also swims through their poetry. But it’s their use of language throughout their work that sets the tone for an honest conversation with their readers.
 
Price utilizes profane language to grab their reader’s attention (as if they didn’t already have it with the speaker’s blunt voice). These two combined scrapes off the sugar-coated facade that others might slather onto the topics they address. Price forces their readers to view them for what they are - real.
…for the writer’s who’s breathing
without seething over love’s legality
or the sensitivity of someone else’s womb −
I’ve got something for his punkass
Profanity is naturally aggressive; as such it verbally shakes readers into paying closer attention. Here they are able to stress the importance of marriage equality and the right to be pro-choice. Cursing does not take anything away from their poetry, but adds intensity. The decision to use “punkass” changes the tone from upset to urgent. After setting the precedent that their poetry doesn’t tiptoe around these concerns, other pieces in their chapbook do not need to employ expletives to be taken seriously, as the sensory language is so rich and penetrating.
The body is covered in a million rivers,
Hot-pink, scarring estuaries and all the fish
That scurry up your thighs and sides
Slowly bubble through inflamed wet breaths
One of the most effective methods that Price uses to bind their poems together is with oceanic metaphors. The book establishes a wave-like flow throughout. The rise and fall of the speaker’s emotional turmoil resembles the waves of the ocean, but also the movement the poem has as a whole. This gives the speaker depth as a character.
 
In "Whatever We do, It Will Not Be Pretty," the poem discusses finding one’s image, “they will boil you/down to one indigestible line.” Readers may be unclear about the switch in pronouns from “they” to “I”, but that simply identifies the relationship the author has created with the speaker in this powerful piece. “I’ll paperdoll you/into a story you cannot/control”. This refers to something that is two-dimensional. A story you don’t want is one that is paper thin, flat – like a paperdoll. Price articulates this difference between the man who speaks in “indiscernible idioms” and the one the speaker implies will be categorized as an “everyman.” This not only compares the distinction between the speaker and the character, but also the poet and the reader.
 
Price’s poetry is layered with aggressive candor that readers can relate to through the authenticity in their tone. Their work even includes a Post-Reading Playlist for complete submersion into their work. Their use of duality is more apparent in this instance, displaying how easily their ideas transcend the page and are cemented into reality. “The world needs more drag/you into the street poetry” like this!




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R.E. Steele is a Lewis University graduate, who majored in English with a focus in Creative and Professional Writing, alongside a minor in Chinese. She currently serves as the Book Reviews Editor for Jet Fuel Review. Some of her own writing has been published in the spring 2015 issue of the Windows Fine Arts Magazine. When she has a few moments to herself, she kicks back with a craft beer and has a Netflix binging marathon. Some of her favorites include X-Files, Doctor Who, Orange is the New Black, Californication, and American Horror Story.

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  • Home
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  • Issue #27 Spring 2024
    • Issue #27 Art Spring 2024 >
      • Kristina Erny Spring 2024
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      • Christy Lee Rogers Spring 2024
      • Erika Lynet Salvador Spring 2024
      • Marsha Solomon Spring 2024
    • Issue #27 Poetry Spring 2024 >
      • Terry Belew Spring 2024
      • Dustin Brookshire​ & Diamond Forde Spring 2024 Spring 2024
      • Dustin Brookshire​ & Caridad Moro-Gronlier Spring 2024 Spring 2024
      • Charlie Coleman Spring 2024
      • Isabelle Doyle Spring 2024
      • Reyzl Grace Spring 2024
      • Kelly Gray Spring 2024
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      • Anoushka Kumar Spring 2024
      • Cate Latimer Spring 2024
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      • Natalie Tombasco Spring 2024
      • Alexandra van de Kamp Spring 2024
      • Donna Vorreyer Spring 2024
    • Fiction #27 Spring 2024 >
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      • Beth Sherman Spring 2024
    • Nonfiction #27 Spring 2024 >
      • Liza Olson Spring 2024
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    • Issue #28 Poetry Fall 2024 >
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      • Jaswinder Bolina Spring 2025
      • ​Ash Bowen Spring 2025
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      • Sara Fitzpatrick Spring 2025
      • Matthew Gilbert Spring 2025
      • Tammy C. Greenwood Spring 2025
      • Alejandra Hernández ​Spring 2025
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      • Cynthia Neely Spring 2025
      • Pablo Otavalo Spring 2025
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      • Jessica Mosher Spring 2025
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      • JM Huscher Spring 2025
      • Qurrat ul Ain Raza Abbas Spring 2025