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  • Issue 22 Fall 2021
    • Issue #22 Art Fall 2021 >
      • Bonnie Severien Fall 2021
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    • Issue #22 Poetry Fall 2021 >
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  • Issue 23 Spring 2022
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Book Review: Tonight, We Fuck the Trailer Park Out of Each Other by C. Russell Price

C. Russell Price
Tonight, We Fuck The Trailer Park Out of Each Other
Sibling Rivalry Press, 2016
ISBN: 978-1-943977-16-1 
$12.00 paperback


C. Russell Price is a genderqueer poet originally from Virginia but now lives on Chicago’s north side. Previous publications include Assaracus, Court Green, Hound, MiPOesias, Weave, and elsewhere. Price works with The Offing (a channel of the LA Review of Books), Story Club Magazine, and TriQuarterly. They are a 2015 Lambda fellow in poetry and hold a BA from the University of Virginia and an MFA from Northwestern University, where they currently teach creative writing. Price’s chapbook Tonight, We Fuck The Trailer Park Out of Each Other was released by Sibling Rivalry Press in Summer 2016. 
​


Review



































​A Review C. Russell Price's Tonight, We Fuck the Trailer Park Out of Each Other by R. E. Steele
 
C. Russell Price’s chapbook Tonight, We Fuck the Trailer Park Out of Each Other is a series of jagged turns through the streets of Chicago exploring relationships and self-harm from a queer writing lens. Their no-nonsense poetry is stylistically highlighted by bands such as Heart and The White Stripes. Price’s fondness for the sea also swims through their poetry. But it’s their use of language throughout their work that sets the tone for an honest conversation with their readers.
 
Price utilizes profane language to grab their reader’s attention (as if they didn’t already have it with the speaker’s blunt voice). These two combined scrapes off the sugar-coated facade that others might slather onto the topics they address. Price forces their readers to view them for what they are - real.
…for the writer’s who’s breathing
without seething over love’s legality
or the sensitivity of someone else’s womb −
I’ve got something for his punkass
Profanity is naturally aggressive; as such it verbally shakes readers into paying closer attention. Here they are able to stress the importance of marriage equality and the right to be pro-choice. Cursing does not take anything away from their poetry, but adds intensity. The decision to use “punkass” changes the tone from upset to urgent. After setting the precedent that their poetry doesn’t tiptoe around these concerns, other pieces in their chapbook do not need to employ expletives to be taken seriously, as the sensory language is so rich and penetrating.
The body is covered in a million rivers,
Hot-pink, scarring estuaries and all the fish
That scurry up your thighs and sides
Slowly bubble through inflamed wet breaths
One of the most effective methods that Price uses to bind their poems together is with oceanic metaphors. The book establishes a wave-like flow throughout. The rise and fall of the speaker’s emotional turmoil resembles the waves of the ocean, but also the movement the poem has as a whole. This gives the speaker depth as a character.
 
In "Whatever We do, It Will Not Be Pretty," the poem discusses finding one’s image, “they will boil you/down to one indigestible line.” Readers may be unclear about the switch in pronouns from “they” to “I”, but that simply identifies the relationship the author has created with the speaker in this powerful piece. “I’ll paperdoll you/into a story you cannot/control”. This refers to something that is two-dimensional. A story you don’t want is one that is paper thin, flat – like a paperdoll. Price articulates this difference between the man who speaks in “indiscernible idioms” and the one the speaker implies will be categorized as an “everyman.” This not only compares the distinction between the speaker and the character, but also the poet and the reader.
 
Price’s poetry is layered with aggressive candor that readers can relate to through the authenticity in their tone. Their work even includes a Post-Reading Playlist for complete submersion into their work. Their use of duality is more apparent in this instance, displaying how easily their ideas transcend the page and are cemented into reality. “The world needs more drag/you into the street poetry” like this!




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R.E. Steele is a Lewis University graduate, who majored in English with a focus in Creative and Professional Writing, alongside a minor in Chinese. She currently serves as the Book Reviews Editor for Jet Fuel Review. Some of her own writing has been published in the spring 2015 issue of the Windows Fine Arts Magazine. When she has a few moments to herself, she kicks back with a craft beer and has a Netflix binging marathon. Some of her favorites include X-Files, Doctor Who, Orange is the New Black, Californication, and American Horror Story.

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  • Home
  • About
    • Our Story
    • Masthead
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    • Submit Here
  • Features
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  • Book Reviews
  • Previous Issues
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  • Issue 22 Fall 2021
    • Issue #22 Art Fall 2021 >
      • Bonnie Severien Fall 2021
      • Camilla Taylor Fall 2021
      • Guilherme Bergamini Fall 2021
      • Emanuela Iorga Fall 2021
    • Issue #22 Poetry Fall 2021 >
      • Maureen Alsop Fall 2021
      • Annah Browning Fall 2021
      • Romana Iorga Fall 2021
      • Natalie Hampton Fall 2021
      • Sherine Gilmour Fall 2021
      • Adam Day Fall 2021
      • Amanda Auchter Fall 2021
      • Adam Tavel Fall 2021
      • Sara Moore Fall 2021
      • Karen Rigby Fall 2021
      • Daniel Zhang Fall 2021
      • Erika Lutzner Fall 2021
      • Kindall Fredricks Fall 2021
      • Cin Salach Fall 2021
      • Andrew Zawacki Fall 2021
      • Micah Ruelle Fall 2021
      • Rachel Stempel Fall 2021
      • Haley Wooning Fall 2021
      • Rikki Santer Fall 2021
      • Evy Shen Fall 2021
      • Suzanne Frischkorn Fall 2021
      • Danielle Rose Fall 2021
      • Eric Burgoyne Fall 2021
      • John Cullen Fall 2021
      • Maureen Seaton Fall 2021
      • Hannah Stephens Fall 2021
    • Issue #22 Nonfiction Fall 2021 >
      • Kevin Grauke Fall 2021
      • Courtney Justus Fall 2021
      • Amy Nicholson Fall 2021
    • Issue #22 Fiction Fall 2021 >
      • Tina Jenkins Bell Fall 2021
      • David Obuchowski Fall 2021
      • Thomas Misuraca Fall 2021
      • Aiden Baker Fall 2021
      • Jenny Magnus Fall 2021
  • Issue 23 Spring 2022
    • Issue #23 Art Spring 2022 >
      • Jonathan Kvassay Spring 2022
      • Karyna McGlynn Spring 2022
      • Andrea Kowch Spring 2022
      • Layla Garcia-Torres Spring 2022
    • Issue #23 Poetry Spring 2022 >
      • Robin Gow Spring 2022
      • T.D. Walker Spring 2022
      • Jen Schalliol Huang Spring 2022
      • Yvonne Zipter Spring 2022
      • Carrie McGath Spring 2022
      • Lupita Eyde-Tucker Spring 2022
      • Susan L. Leary Spring 2022
      • Kate Sweeney Spring 2022
      • Rita Mookerjee Spring 2022
      • Erin Carlyle Spring 2022
      • Cori Bratty-Rudd Spring 2022
      • Jen Karetnick Spring 2022
      • Meghan Sterling Spring 2022
      • Lorelei Bacht Spring 2022
      • Michael Passafiume Spring 2022
      • Jeannine Hall Gailey Spring 2022
      • Phil Goldstein Spring 2022
      • Michael Mingo Spring 2022
      • Angie Macri Spring 2022
      • Martha Silano Spring 2022
      • Vismai Rao Spring 2022
      • Anna Laura Reeve Spring 2022
      • Jenny Irish Spring 2022
      • Marek Kulig Spring 2022
      • Jami Macarty Spring 2022
      • Sarah A. Rae Spring 2022
      • Brittney Corrigan Spring 2022
      • Callista Buchen Spring 2022
      • Issam Zineh Spring 2022
      • MICHAEL CHANG Spring 2022
      • henry 7. reneau, jr. Spring 2022
      • Leah Umansky Spring 2022
      • Cody Beck Spring 2022
      • Danyal Kim Spring 2022
      • Rachel DeWoskin Spring 2022
    • Issue #23 Fiction Spring 2022 >
      • Melissa Boberg Spring 2022
    • Issue #23 Nonfiction Spring 2022 >
      • Srinaath Perangur Spring 2022
      • Audrey T. Carroll Spring 2022
  • Issue #24 Fall 2022
    • Issue #24 Art Fall 2022 >
      • Marsha Solomon Fall 2022
      • Edward Lee Fall 2022
      • Harryette Mullen Fall 2022
      • Jezzelle Kellam Fall 2022
      • Irina Greciuhina Fall 2022
      • Natalie Christensen Fall 2022
      • Mark Yale Harris Fall 2022
      • Amy Nelder Fall 2022
      • Bette Ridgeway Fall 2022
      • Ursula Sokolowska Fall 2022
    • Issue #24 Poetry Fall 2022 >
      • William Stobb Fall 2022
      • e Fall 2022
      • Stefanie Kirby Fall 2022
      • Lisa Ampleman Fall 2022
      • Will Cordeiro Fall 2022
      • Jesica Davis Fall 2022
      • Peter O'Donovan Fall 2022
      • Mackenzie Carignan Fall 2022
      • Jason Fraley Fall 2022
      • Barbara Saunier Fall 2022
      • Chad Weeden Fall 2022
      • Nick Rattner Fall 2022
      • Cynthia Schwartzberg Edlow Fall 2022
      • Summer J. Hart Fall 2022
      • Daniel Suá​rez Fall 2022
      • Sara Kearns Fall 2022
      • Millicent Borges Accardi Fall 2022
      • Liz Robbins Fall 2022
      • john compton Fall 2022
      • Esther Sadoff Fall 2022
      • Whitney Koo Fall 2022
      • W. J. Lofton Fall 2022
      • Rachel Reynolds Fall 2022
      • Kimberly Ann Priest Fall 2022
      • Annie Przypyszny Fall 2022
      • Konstantin Kulakov Fall 2022
      • Nellie Cox Fall 2022
      • Jennifer Martelli Fall 2022
      • SM Stubbs Fall 2022
      • Joshua Bird Fall 2022
    • Issue #24 Fiction Fall 2022 >
      • Otis Fuqua Fall 2022
      • Hannah Harlow Fall 2022
      • Natalia Nebel Fall 2022
      • Kate Maxwell Fall 2022
      • Helena Pantsis Fall 2022
    • Issue #24 Nonfiction Fall 2022 >
      • Courtney Ludwick Fall 2022
      • Anna Oberg Fall 2022
      • Acadia Currah Fall 2022