season when the magnolia is just beginning to bloom. The raspberry brambles behind the house are vivid with leaves— the cedar, green all along, doesn’t begrudge the forsythia its alchemy— there is no blight, no waterlogged soil, no sun-starvation, not yet, there is still time. Let me be clear: I do not want to love you in a world without winter, I would not know how. But here I remember to undo the knotted roots of seedlings so others may flourish. Alive among monuments, we kiss without checking the clock. Here, even alone, I can see your face in my hands, your blue dimensions. Above the vines and wildflower beds our broken bodies tower over us, carved in stone, veined with mosses and lichens, no longer ours. They are quiet. Relieved of the duty of holding.
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Inside the white chamber I am a flat quiet surface waiting for transformation
Slid pale and papered into a center of sound a vortex of quake and hammer
A body become fret board truss rod bridge strings tuner pegs and skin head
Here there is space for one plus a thin blue line dividing the sky for company
Blazing meridian it begins to shiver as the shaking clanging becomes louder
Electric eel friend I cannot hold you any longer in my field of vision blink
In the closer quarters of closed eyelids even intimate night’s divided by bright
Narrow stripe embroidered in perfect light onto the hem of the soundscape
The technician offered a soundtrack of my choosing to cover the banging
But no now I am the outraged radio the body clamoring the body in uproar
If the tendon is going to tear I want to hear it I want to hear it loud
We were going to build a dark room
but this never came to fruition
We can’t bring ourselves to leave this house of unimaginable light
not since we woke to find our arms green and rustling
one morning after a bender our bodies that had curled inward
now pressed wildly against windowpanes appetites vacant, simplified
In the Before we rushed to draw black curtains
we prayed at the night’s charcoal altars (please show me
the wholeness of my own self) we loved the way we melted
into each other, how our edges blurred without the day’s harsh contrast
Nothing is green in the dark and we are now experts
on green, or our skin (if you can still call it that) is
We were going to build a dark room but instead you are holding
the hacksaw while I steady the ladder
slicing back ceiling and roof shingles to expose the summer sky
-- D. Allen is a queer poet and multidisciplinary artist living in Minneapolis, MN. They are a recent graduate of the University of Minnesota’s Creative Writing MFA program, a recipient of the 2017 Minnesota Emerging Writers’ Grant from The Loft Literary Center, and a 2017 Lighthouse Works Fellow. D.’s work has recently appeared in District Lit,Connotation Press, Lockjaw Magazine, Black Warrior Review, and elsewhere. Their current project examines the inner life of a queer, disabled, genderqueer body through the lens of grief and intimacy.