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  • Issue 22 Fall 2021
    • Issue #22 Art Fall 2021 >
      • Bonnie Severien Fall 2021
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    • Issue #22 Poetry Fall 2021 >
      • Maureen Alsop Fall 2021
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      • Sara Moore Fall 2021
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      • Cin Salach Fall 2021
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      • Rachel Stempel Fall 2021
      • Haley Wooning Fall 2021
      • Rikki Santer Fall 2021
      • Evy Shen Fall 2021
      • Suzanne Frischkorn Fall 2021
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    • Issue #22 Nonfiction Fall 2021 >
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    • Issue #22 Fiction Fall 2021 >
      • Tina Jenkins Bell Fall 2021
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  • Issue 23 Spring 2022
    • Issue #23 Art Spring 2022 >
      • Jonathan Kvassay Spring 2022
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    • Issue #23 Poetry Spring 2022 >
      • Robin Gow Spring 2022
      • T.D. Walker Spring 2022
      • Jen Schalliol Huang Spring 2022
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      • Carrie McGath Spring 2022
      • Lupita Eyde-Tucker Spring 2022
      • Susan L. Leary Spring 2022
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      • Erin Carlyle Spring 2022
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      • Phil Goldstein Spring 2022
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      • Anna Laura Reeve Spring 2022
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      • Jami Macarty Spring 2022
      • Sarah A. Rae Spring 2022
      • Brittney Corrigan Spring 2022
      • Callista Buchen Spring 2022
      • Issam Zineh Spring 2022
      • MICHAEL CHANG Spring 2022
      • henry 7. reneau, jr. Spring 2022
      • Leah Umansky Spring 2022
      • Cody Beck Spring 2022
      • Danyal Kim Spring 2022
      • Rachel DeWoskin Spring 2022
    • Issue #23 Fiction Spring 2022 >
      • Melissa Boberg Spring 2022
    • Issue #23 Nonfiction Spring 2022 >
      • Srinaath Perangur Spring 2022
      • Audrey T. Carroll Spring 2022
  • Issue #24 Fall 2022
    • Issue #24 Art Fall 2022 >
      • Marsha Solomon Fall 2022
      • Edward Lee Fall 2022
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      • Natalie Christensen Fall 2022
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    • Issue #24 Poetry Fall 2022 >
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      • Summer J. Hart Fall 2022
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      • Joshua Bird Fall 2022
    • Issue #24 Fiction Fall 2022 >
      • Otis Fuqua Fall 2022
      • Hannah Harlow Fall 2022
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    • Issue #24 Nonfiction Fall 2022 >
      • Courtney Ludwick Fall 2022
      • Anna Oberg Fall 2022
      • Acadia Currah Fall 2022

Erin Flanagan

Crack of the Fruit


Candace pulls the charcoal and his hip appears. In three short lines he has a knee. She drops the charcoal on the easel’s ledge and brushes her fingers on her pants. She has black smudges all over her clothes, remnants of these three hours, proof that she is here. Her teacher calls time and Jason’s shoulders push toward his ears then roll back, his arms stretching behind his head. Candace wants to believe she is the only one who knows his name. Jason. Jason Jason Jason. She says his name as she draws him, his figure coming to life.
            A year ago Candace was trapped in a mall bathroom, her body held prisoner by the narrow stall. She hasn’t been to a movie since she was fifteen. She is fat. Specialty-store-shoes fat. What the doctors label as morbidly obese. But here, in this class, all of that disappears—the over-cooked gnocchi she consumed for dinner, the cream-filled doughnuts she ate in her car. All the way back to the butter and brown sugar bread she snuck as a child, the rice cereal her mother fed her as a baby. Gone. The foods disappear when she is drawing, as she connects to the canvas, as she connects to Jason, the man she draws.
            Between twenty-minute poses Jason stands by the building’s entrance and smoke two cigarettes, a piece of fruit in his hand. He alternates inhalations and bites wearing a plaid flannel bathrobe. The first night of class she went outside while the others headed to the basement vending machines. “Hey,” he’d said to her and she stopped, startled, than said “hey” back. Over the weeks they have moved onto conversations about Candace’s other courses which she has stopped attending—she doesn’t have time, her whole life contained in this three-hour class—and Jason’s job as a semi-pro golfer at a community course. He is a headless body on her easel now, and after break she will begin his face, the hollow of his eyes the most difficult part.
            A girl walks by and smiles at Jason under the edge of her hair. She glances at Candace, her eyebrows pulling together, than quickens her pace. Jason scuffs an untied Chuck Taylor against the cement and exhales. “I wish people would stop staring,” Jason says. “I’m on break.” He looks at her knowingly. “People are so rude.”
            The comment is like a stab and Candace understands what she thinks has connected them, the drawing, isn’t the connection at all, but the opposite: their physical bodies in the world. His thin perfect wrists jutting from the cuffs of his robe, her fingers dimpled like a baby’s.
            He bites into the pear and she can tell from the crunch it’s out of season, not yet ripe. She hears the crack of the fruit as he takes the bite in his mouth, but for all her memory and all the food, she can’t recall what a pear tastes like.



--
Erin Flanagan is the author of two short story collections-- The Usual Mistakes and It’s Not Going to Kill You, and Other Stories—both published by the University of Nebraska Press. Her work has appeared in Prairie Schooner, The Missouri Review, Colorado Review, and elsewhere, and she has held fellowships to the MacDowell Colony, Yaddo, and the Sewanee and Bread Loaf Writers’ Conferences. She is an associate professor of English at Wright State University in Dayton, Ohio.




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  • Home
  • About
    • Our Story
    • Masthead
  • Submit
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    • Submit Here
  • Features
  • Interviews
  • Book Reviews
  • Previous Issues
  • Blog
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  • Issue 22 Fall 2021
    • Issue #22 Art Fall 2021 >
      • Bonnie Severien Fall 2021
      • Camilla Taylor Fall 2021
      • Guilherme Bergamini Fall 2021
      • Emanuela Iorga Fall 2021
    • Issue #22 Poetry Fall 2021 >
      • Maureen Alsop Fall 2021
      • Annah Browning Fall 2021
      • Romana Iorga Fall 2021
      • Natalie Hampton Fall 2021
      • Sherine Gilmour Fall 2021
      • Adam Day Fall 2021
      • Amanda Auchter Fall 2021
      • Adam Tavel Fall 2021
      • Sara Moore Fall 2021
      • Karen Rigby Fall 2021
      • Daniel Zhang Fall 2021
      • Erika Lutzner Fall 2021
      • Kindall Fredricks Fall 2021
      • Cin Salach Fall 2021
      • Andrew Zawacki Fall 2021
      • Micah Ruelle Fall 2021
      • Rachel Stempel Fall 2021
      • Haley Wooning Fall 2021
      • Rikki Santer Fall 2021
      • Evy Shen Fall 2021
      • Suzanne Frischkorn Fall 2021
      • Danielle Rose Fall 2021
      • Eric Burgoyne Fall 2021
      • John Cullen Fall 2021
      • Maureen Seaton Fall 2021
      • Hannah Stephens Fall 2021
    • Issue #22 Nonfiction Fall 2021 >
      • Kevin Grauke Fall 2021
      • Courtney Justus Fall 2021
      • Amy Nicholson Fall 2021
    • Issue #22 Fiction Fall 2021 >
      • Tina Jenkins Bell Fall 2021
      • David Obuchowski Fall 2021
      • Thomas Misuraca Fall 2021
      • Aiden Baker Fall 2021
      • Jenny Magnus Fall 2021
  • Issue 23 Spring 2022
    • Issue #23 Art Spring 2022 >
      • Jonathan Kvassay Spring 2022
      • Karyna McGlynn Spring 2022
      • Andrea Kowch Spring 2022
      • Layla Garcia-Torres Spring 2022
    • Issue #23 Poetry Spring 2022 >
      • Robin Gow Spring 2022
      • T.D. Walker Spring 2022
      • Jen Schalliol Huang Spring 2022
      • Yvonne Zipter Spring 2022
      • Carrie McGath Spring 2022
      • Lupita Eyde-Tucker Spring 2022
      • Susan L. Leary Spring 2022
      • Kate Sweeney Spring 2022
      • Rita Mookerjee Spring 2022
      • Erin Carlyle Spring 2022
      • Cori Bratty-Rudd Spring 2022
      • Jen Karetnick Spring 2022
      • Meghan Sterling Spring 2022
      • Lorelei Bacht Spring 2022
      • Michael Passafiume Spring 2022
      • Jeannine Hall Gailey Spring 2022
      • Phil Goldstein Spring 2022
      • Michael Mingo Spring 2022
      • Angie Macri Spring 2022
      • Martha Silano Spring 2022
      • Vismai Rao Spring 2022
      • Anna Laura Reeve Spring 2022
      • Jenny Irish Spring 2022
      • Marek Kulig Spring 2022
      • Jami Macarty Spring 2022
      • Sarah A. Rae Spring 2022
      • Brittney Corrigan Spring 2022
      • Callista Buchen Spring 2022
      • Issam Zineh Spring 2022
      • MICHAEL CHANG Spring 2022
      • henry 7. reneau, jr. Spring 2022
      • Leah Umansky Spring 2022
      • Cody Beck Spring 2022
      • Danyal Kim Spring 2022
      • Rachel DeWoskin Spring 2022
    • Issue #23 Fiction Spring 2022 >
      • Melissa Boberg Spring 2022
    • Issue #23 Nonfiction Spring 2022 >
      • Srinaath Perangur Spring 2022
      • Audrey T. Carroll Spring 2022
  • Issue #24 Fall 2022
    • Issue #24 Art Fall 2022 >
      • Marsha Solomon Fall 2022
      • Edward Lee Fall 2022
      • Harryette Mullen Fall 2022
      • Jezzelle Kellam Fall 2022
      • Irina Greciuhina Fall 2022
      • Natalie Christensen Fall 2022
      • Mark Yale Harris Fall 2022
      • Amy Nelder Fall 2022
      • Bette Ridgeway Fall 2022
      • Ursula Sokolowska Fall 2022
    • Issue #24 Poetry Fall 2022 >
      • William Stobb Fall 2022
      • e Fall 2022
      • Stefanie Kirby Fall 2022
      • Lisa Ampleman Fall 2022
      • Will Cordeiro Fall 2022
      • Jesica Davis Fall 2022
      • Peter O'Donovan Fall 2022
      • Mackenzie Carignan Fall 2022
      • Jason Fraley Fall 2022
      • Barbara Saunier Fall 2022
      • Chad Weeden Fall 2022
      • Nick Rattner Fall 2022
      • Cynthia Schwartzberg Edlow Fall 2022
      • Summer J. Hart Fall 2022
      • Daniel Suá​rez Fall 2022
      • Sara Kearns Fall 2022
      • Millicent Borges Accardi Fall 2022
      • Liz Robbins Fall 2022
      • john compton Fall 2022
      • Esther Sadoff Fall 2022
      • Whitney Koo Fall 2022
      • W. J. Lofton Fall 2022
      • Rachel Reynolds Fall 2022
      • Kimberly Ann Priest Fall 2022
      • Annie Przypyszny Fall 2022
      • Konstantin Kulakov Fall 2022
      • Nellie Cox Fall 2022
      • Jennifer Martelli Fall 2022
      • SM Stubbs Fall 2022
      • Joshua Bird Fall 2022
    • Issue #24 Fiction Fall 2022 >
      • Otis Fuqua Fall 2022
      • Hannah Harlow Fall 2022
      • Natalia Nebel Fall 2022
      • Kate Maxwell Fall 2022
      • Helena Pantsis Fall 2022
    • Issue #24 Nonfiction Fall 2022 >
      • Courtney Ludwick Fall 2022
      • Anna Oberg Fall 2022
      • Acadia Currah Fall 2022