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  • Issue 22 Fall 2021
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      • Bonnie Severien Fall 2021
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  • Issue 23 Spring 2022
    • Issue #23 Art Spring 2022 >
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Eugene Gloria

José Rizal Walks a Mile to “In-A-Gadda-Da-Vida”


Listen, I say to him, Iron Butterfly’s
got nothing on Ginger Baker. And streets
like this one will be named after you.
Avenues and boulevards
wide as rivers where one can swim
for hours in traffic with buses
proud as frigates exhaling their black smoke.
In London and Paris, plaques
with your name will grace houses
where you stayed, and monuments
of you in parks from Madrid to Seattle. Yes,
even in Spain where celebrating dead
poets they executed is a thing.
Here you pause and shrug. History
is a fickle mother. In this purgatorial walk
you mourn your twenties. Seeing your face
in a mirror, though not exactly your face,
but the face of someone multiplying
like a mirror image of a mirror image.
What music did you listen to in your twenties?
Of course you bought records
— 
often random 45s and LPs of artists you
were never passionate about.
You had too many hang-ups, too Catholic,
impatient, saddled with ephemeral contingencies.
In other words you were immature.
You listened to pop, but felt guilty about it.
And jazz? You didn’t know enough.
Having yet to discover Art Blakey
and Max Roach. And Ginger Baker
was only a name you attached to Blind Faith.
Not a man to be wary of
should you happen to catch him
walking your way along a dark street
that already bears your name.



Galileo


                                                                                   I.

Beyond the ship, which               is more sea, more water
He recites           the waves scroll like a sacrament in water

Homer who was vague               with color didn’t see the way
Yeats saw the sea        he gulped like a flagon of water

Their eyes, glittering ancient eyes      alit in lapis
he recites                      in his ministry of water

Beyond the sea which              is more sea than masts
Rizal accepts the wine-dark glass        murky as water
​
Galileo, drunk with the milk of heresy, imagines space
as the sea undulating with      narcotic waves            empty of water

He declares: there is no color             in night             no color in water
And the sea—call it blind or faith       is all mystery imbued with water

                                                                                   II.


Our interlocutor, George Costanza, recounts: “The sea was angry that day, my friends
– like an old man trying to send back soup in a deli.” /.../ In a smart and select pub in
Bloomsbury, Virginia Woolf sits the young José
 Rizal down with her milky glass of
Ouzo. Ready to school the young man in her boozy, but refined pronouncements.
“Take it from me, Squanto, we should all be writing novels devoted to influenza, and
yes, odes to typhoid and pneumonia! Why not lyrics to toothache?” Rizal nods ruefully,
nursing his one-beer blues.




--
Eugene Gloria is the author of  four books of poems. His most recent collection, Sightseer in This Killing City is the recipient of the Indiana Authors Award in poetry. He is the John Rabb Emison Professor of Creative and Performing Arts and English Professor at DePauw University.

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  • Home
  • About
    • Our Story
    • Masthead
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    • Submit Here
  • Features
  • Interviews
  • Book Reviews
  • Previous Issues
  • Blog
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  • Issue 22 Fall 2021
    • Issue #22 Art Fall 2021 >
      • Bonnie Severien Fall 2021
      • Camilla Taylor Fall 2021
      • Guilherme Bergamini Fall 2021
      • Emanuela Iorga Fall 2021
    • Issue #22 Poetry Fall 2021 >
      • Maureen Alsop Fall 2021
      • Annah Browning Fall 2021
      • Romana Iorga Fall 2021
      • Natalie Hampton Fall 2021
      • Sherine Gilmour Fall 2021
      • Adam Day Fall 2021
      • Amanda Auchter Fall 2021
      • Adam Tavel Fall 2021
      • Sara Moore Fall 2021
      • Karen Rigby Fall 2021
      • Daniel Zhang Fall 2021
      • Erika Lutzner Fall 2021
      • Kindall Fredricks Fall 2021
      • Cin Salach Fall 2021
      • Andrew Zawacki Fall 2021
      • Micah Ruelle Fall 2021
      • Rachel Stempel Fall 2021
      • Haley Wooning Fall 2021
      • Rikki Santer Fall 2021
      • Evy Shen Fall 2021
      • Suzanne Frischkorn Fall 2021
      • Danielle Rose Fall 2021
      • Eric Burgoyne Fall 2021
      • John Cullen Fall 2021
      • Maureen Seaton Fall 2021
      • Hannah Stephens Fall 2021
    • Issue #22 Nonfiction Fall 2021 >
      • Kevin Grauke Fall 2021
      • Courtney Justus Fall 2021
      • Amy Nicholson Fall 2021
    • Issue #22 Fiction Fall 2021 >
      • Tina Jenkins Bell Fall 2021
      • David Obuchowski Fall 2021
      • Thomas Misuraca Fall 2021
      • Aiden Baker Fall 2021
      • Jenny Magnus Fall 2021
  • Issue 23 Spring 2022
    • Issue #23 Art Spring 2022 >
      • Jonathan Kvassay Spring 2022
      • Karyna McGlynn Spring 2022
      • Andrea Kowch Spring 2022
      • Layla Garcia-Torres Spring 2022
    • Issue #23 Poetry Spring 2022 >
      • Robin Gow Spring 2022
      • T.D. Walker Spring 2022
      • Jen Schalliol Huang Spring 2022
      • Yvonne Zipter Spring 2022
      • Carrie McGath Spring 2022
      • Lupita Eyde-Tucker Spring 2022
      • Susan L. Leary Spring 2022
      • Kate Sweeney Spring 2022
      • Rita Mookerjee Spring 2022
      • Erin Carlyle Spring 2022
      • Cori Bratty-Rudd Spring 2022
      • Jen Karetnick Spring 2022
      • Meghan Sterling Spring 2022
      • Lorelei Bacht Spring 2022
      • Michael Passafiume Spring 2022
      • Jeannine Hall Gailey Spring 2022
      • Phil Goldstein Spring 2022
      • Michael Mingo Spring 2022
      • Angie Macri Spring 2022
      • Martha Silano Spring 2022
      • Vismai Rao Spring 2022
      • Anna Laura Reeve Spring 2022
      • Jenny Irish Spring 2022
      • Marek Kulig Spring 2022
      • Jami Macarty Spring 2022
      • Sarah A. Rae Spring 2022
      • Brittney Corrigan Spring 2022
      • Callista Buchen Spring 2022
      • Issam Zineh Spring 2022
      • MICHAEL CHANG Spring 2022
      • henry 7. reneau, jr. Spring 2022
      • Leah Umansky Spring 2022
      • Cody Beck Spring 2022
      • Danyal Kim Spring 2022
      • Rachel DeWoskin Spring 2022
    • Issue #23 Fiction Spring 2022 >
      • Melissa Boberg Spring 2022
    • Issue #23 Nonfiction Spring 2022 >
      • Srinaath Perangur Spring 2022
      • Audrey T. Carroll Spring 2022
  • Issue #24 Fall 2022
    • Issue #24 Art Fall 2022 >
      • Marsha Solomon Fall 2022
      • Edward Lee Fall 2022
      • Harryette Mullen Fall 2022
      • Jezzelle Kellam Fall 2022
      • Irina Greciuhina Fall 2022
      • Natalie Christensen Fall 2022
      • Mark Yale Harris Fall 2022
      • Amy Nelder Fall 2022
      • Bette Ridgeway Fall 2022
      • Ursula Sokolowska Fall 2022
    • Issue #24 Poetry Fall 2022 >
      • William Stobb Fall 2022
      • e Fall 2022
      • Stefanie Kirby Fall 2022
      • Lisa Ampleman Fall 2022
      • Will Cordeiro Fall 2022
      • Jesica Davis Fall 2022
      • Peter O'Donovan Fall 2022
      • Mackenzie Carignan Fall 2022
      • Jason Fraley Fall 2022
      • Barbara Saunier Fall 2022
      • Chad Weeden Fall 2022
      • Nick Rattner Fall 2022
      • Cynthia Schwartzberg Edlow Fall 2022
      • Summer J. Hart Fall 2022
      • Daniel Suá​rez Fall 2022
      • Sara Kearns Fall 2022
      • Millicent Borges Accardi Fall 2022
      • Liz Robbins Fall 2022
      • john compton Fall 2022
      • Esther Sadoff Fall 2022
      • Whitney Koo Fall 2022
      • W. J. Lofton Fall 2022
      • Rachel Reynolds Fall 2022
      • Kimberly Ann Priest Fall 2022
      • Annie Przypyszny Fall 2022
      • Konstantin Kulakov Fall 2022
      • Nellie Cox Fall 2022
      • Jennifer Martelli Fall 2022
      • SM Stubbs Fall 2022
      • Joshua Bird Fall 2022
    • Issue #24 Fiction Fall 2022 >
      • Otis Fuqua Fall 2022
      • Hannah Harlow Fall 2022
      • Natalia Nebel Fall 2022
      • Kate Maxwell Fall 2022
      • Helena Pantsis Fall 2022
    • Issue #24 Nonfiction Fall 2022 >
      • Courtney Ludwick Fall 2022
      • Anna Oberg Fall 2022
      • Acadia Currah Fall 2022