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  • Issue 22 Fall 2021
    • Issue #22 Art Fall 2021 >
      • Bonnie Severien Fall 2021
      • Camilla Taylor Fall 2021
      • Guilherme Bergamini Fall 2021
      • Emanuela Iorga Fall 2021
    • Issue #22 Poetry Fall 2021 >
      • Maureen Alsop Fall 2021
      • Annah Browning Fall 2021
      • Romana Iorga Fall 2021
      • Natalie Hampton Fall 2021
      • Sherine Gilmour Fall 2021
      • Adam Day Fall 2021
      • Amanda Auchter Fall 2021
      • Adam Tavel Fall 2021
      • Sara Moore Fall 2021
      • Karen Rigby Fall 2021
      • Daniel Zhang Fall 2021
      • Erika Lutzner Fall 2021
      • Kindall Fredricks Fall 2021
      • Cin Salach Fall 2021
      • Andrew Zawacki Fall 2021
      • Micah Ruelle Fall 2021
      • Rachel Stempel Fall 2021
      • Haley Wooning Fall 2021
      • Rikki Santer Fall 2021
      • Evy Shen Fall 2021
      • Suzanne Frischkorn Fall 2021
      • Danielle Rose Fall 2021
      • Eric Burgoyne Fall 2021
      • John Cullen Fall 2021
      • Maureen Seaton Fall 2021
      • Hannah Stephens Fall 2021
    • Issue #22 Nonfiction Fall 2021 >
      • Kevin Grauke Fall 2021
      • Courtney Justus Fall 2021
      • Amy Nicholson Fall 2021
    • Issue #22 Fiction Fall 2021 >
      • Tina Jenkins Bell Fall 2021
      • David Obuchowski Fall 2021
      • Thomas Misuraca Fall 2021
      • Aiden Baker Fall 2021
      • Jenny Magnus Fall 2021
  • Issue 23 Spring 2022
    • Issue #23 Art Spring 2022 >
      • Jonathan Kvassay Spring 2022
      • Karyna McGlynn Spring 2022
      • Andrea Kowch Spring 2022
      • Layla Garcia-Torres Spring 2022
    • Issue #23 Poetry Spring 2022 >
      • Robin Gow Spring 2022
      • T.D. Walker Spring 2022
      • Jen Schalliol Huang Spring 2022
      • Yvonne Zipter Spring 2022
      • Carrie McGath Spring 2022
      • Lupita Eyde-Tucker Spring 2022
      • Susan L. Leary Spring 2022
      • Kate Sweeney Spring 2022
      • Rita Mookerjee Spring 2022
      • Erin Carlyle Spring 2022
      • Cori Bratty-Rudd Spring 2022
      • Jen Karetnick Spring 2022
      • Meghan Sterling Spring 2022
      • Lorelei Bacht Spring 2022
      • Michael Passafiume Spring 2022
      • Jeannine Hall Gailey Spring 2022
      • Phil Goldstein Spring 2022
      • Michael Mingo Spring 2022
      • Angie Macri Spring 2022
      • Martha Silano Spring 2022
      • Vismai Rao Spring 2022
      • Anna Laura Reeve Spring 2022
      • Jenny Irish Spring 2022
      • Marek Kulig Spring 2022
      • Jami Macarty Spring 2022
      • Sarah A. Rae Spring 2022
      • Brittney Corrigan Spring 2022
      • Callista Buchen Spring 2022
      • Issam Zineh Spring 2022
      • MICHAEL CHANG Spring 2022
      • henry 7. reneau, jr. Spring 2022
      • Leah Umansky Spring 2022
      • Cody Beck Spring 2022
      • Danyal Kim Spring 2022
      • Rachel DeWoskin Spring 2022
    • Issue #23 Fiction Spring 2022 >
      • Melissa Boberg Spring 2022
    • Issue #23 Nonfiction Spring 2022 >
      • Srinaath Perangur Spring 2022
      • Audrey T. Carroll Spring 2022

Frank Scozzari

Two Men and a Gun

 
            It’s hard to say exactly how I ended up in this dreadful situation, although I could easily put all the blame on the Thomas-Cook train schedule. If they had made their timetables were a little easier to read, and their columns more evenly aligned, I may have never ended up on a midnight train to Athens. Yet here I was, sandwiched in among all the dissolute of Southern Europe in a third-class train compartment, trying to figure out how I was going to get some sleep.
            It was bench seating only, benches that faced one another, with such little space between them that one had to sit straddling the knees of the person opposite you. There were smells of human body odor and of middle-eastern cooking, zeera and black cumin, the mixture of which was not a pleasant thing. I couldn’t imagine someone could be cooking in such confined quarters. I looked around but couldn’t make out where the smell was coming from.
            Across from me was a sinister-looking character; a man in his mid-thirties with narrow-eyes and high cheekbones. I assumed he was from North Africa, although one could never really be sure about this kind of thing when traveling along the shores of the Eastern Mediterranean. He had dark skin and an angular face, and he was carrying a canvas satchel with Nubian markings. He was a man of mixed races, and a man who could not be trusted, I knew. Call it experience, or traveler’s intuition, after logging many miles through third-world countries one acquires an instinct for this kind of thing. I had encountered this type before; trouble, not in size, but in opportunist nature. And I saw the furtiveness and cleverness in his eyes. He was filthy and unshaven. His clothes were soiled.             Among the many odors in the train compartment, one was particularly strong and I assumed it came from him.
            And in the instant I was thinking this I caught his dark eyes studying my carry-bag. The satchel, which I kept on my lap, had a shoulder strap securely wrapped around my neck. In it were my most valued items; my passport and credit cards, what few euros I had left, and some souvenirs I picked up along the way. His eyes went from the bag itself, to the attachment latch, and followed up the strap to where it disappeared around my shoulder. When he realized I was watching him he quickly turned away. He had a satchel too, and when he saw me looking at it, he pulled it closely to his side.
            I brought my hand thoughtfully up to my chin. It was only then that I realized I was likewise filthy and unshaven. Perhaps it was I who smelled of body odor? I thought. I discreetly took a sniff of my underarm but could not tell if the odor was coming from me or not.
            It had been nearly three days since I had taken a bath. Having crossed by ferry from Brindisi the night before, arriving in Corfu in the early morning hours, there was no time to shower or shave. By the time I reached Patras, sleepless and exhausted, I was desperate to find a sink or washbasin. But the train station had only the old, European-style bathrooms with a launching platform, no running water, and a bucket for a flush.
            It was an uncomfortable arrangement no matter how you look at it. And despite the lack of accommodations and the desperate guy across from me, sleep, I knew, was what I needed most. I looked around the car. It was completely full. A group of young Europass students had already commandeered the one small piece of floor space and were sleeping there, piled on top of one another.
            I pulled my carry-bag close to me, keeping an eye on the man across from me, and I tried to get comfortable. In shifting my body weight I accidentally bumped his leg.
            “Excuse me,” I said.
            He did not reply.
            He was sleepy too, I could tell, and as tired as I. His eyes were bloodshot and his lids looked heavy and like they wanted to drop. He also shifted uncomfortably and likewise pulled his satchel in close to his side. Then he curled his hand around it and held on to it like it was filled with gold. It made me wonder what he had in it. Maybe he’s a gem trader? I thought. Or the thief of a gem trader?
            If only he would fall asleep. If he would sleep, then I could do the same. And almost exactly when I thought of it, I saw his lids beginning to drop. Go down, I thought. Yes. Let them go down. Let them drop. But then the thought crossed my mine: What if he’s faking? Lulling me into a false security, so that I would sleep, only to wake up hours later and find my carry bag gone, cut from my shoulder with a knife.
            We both exchanged guarded, hard looks, and bouts of drowsiness. His eyes would close, and his head would bob, and then he’d snap himself back awake. And I, in one instant, lost all consciousness, although just for a few seconds, awaking to see him glancing at me with a little smirk on his face.
            Not so easy, I thought.
            I caught him pinching himself, and then shaking his head, trying to shake out the drowsiness.
            You’re going down, I thought. I can outlast you. But each time I saw him struggling, I found myself struggling too; fighting off the inevitable sleep that I knew would eventually win over my body.
            The night wore on. The vintage train rattled over the tracks. The noise and motion helped kept us both awake. Still, as the hours passed, it became nearly impossible. The accumulation of three bad nights had caught up with me. The weight of my eyelids were feeling like lead shutters, ready to close for a long winter. I did everything I could to fight it. I tilted my head back, and then sideways. I scratched my side, though I didn’t have an itch. The good news was that he was not doing much better. I watched his head bobbing. I watched him fighting it, and clinging to his pouch more protectively.
            And finally I saw him unclasp the middle button of his shirt and reach down deep into it; down along his side. His eyes gleamed at me. He gave me a little grin, and a head-nod, letting me know that he had something there, a knife or a gun perhaps. It didn’t matter what, I realized. He had a weapon of some sort down there in his shirt, and whatever it was, it brought him fresh confidence, and comfort enough to sleep.
            And now his eyes began to close and his expression was sure. I watched him with one eye still open, watching me.
            And he’s probably a light sleeper, I thought, with a hair-trigger finger that’s equally light and fast.
            It is unfair, I thought, as my eyes, too tired and too heavy to fight it any longer, began to close. There was no justice in it. This scoundrel would have a peaceful night while I would suffer from frequent awakenings and sleep apnea.
            Then it dawned on me that I had an option too. The idea seemed too obvious, yet likely to work. I unbuttoned an opening in my shirt and reach down with my hand, down along the side of my chest to where I kept nothing. I left my hand there, warm against my side, and I watched him, his one eye still open, watching me, but fluttering closed.
            Okay, I thought, détente. And I smiled at him, a little smile; a warning smile, and I closed my eyes and slept.



--
Frank Scozzari’s fiction has previously appeared in various literary magazines including The Kenyon Review, South Dakota Review, Folio, The Nassau Review, Roanoke Review, Pacific Review, Reed Magazine, Ellipsis Magazine, The Berkeley Fiction Review, and The MacGuffin. Writing awards include Winner of the National Writer’s Association Short Story Contest and three Pushcart Prize nominations.

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  • Home
  • About
    • Our Story
    • Masthead
  • Submit
    • Submission Guidelines
    • Submit Here
  • Features
  • Interviews
  • Book Reviews
  • Previous Issues
  • Blog
  • Contact
  • Issue 22 Fall 2021
    • Issue #22 Art Fall 2021 >
      • Bonnie Severien Fall 2021
      • Camilla Taylor Fall 2021
      • Guilherme Bergamini Fall 2021
      • Emanuela Iorga Fall 2021
    • Issue #22 Poetry Fall 2021 >
      • Maureen Alsop Fall 2021
      • Annah Browning Fall 2021
      • Romana Iorga Fall 2021
      • Natalie Hampton Fall 2021
      • Sherine Gilmour Fall 2021
      • Adam Day Fall 2021
      • Amanda Auchter Fall 2021
      • Adam Tavel Fall 2021
      • Sara Moore Fall 2021
      • Karen Rigby Fall 2021
      • Daniel Zhang Fall 2021
      • Erika Lutzner Fall 2021
      • Kindall Fredricks Fall 2021
      • Cin Salach Fall 2021
      • Andrew Zawacki Fall 2021
      • Micah Ruelle Fall 2021
      • Rachel Stempel Fall 2021
      • Haley Wooning Fall 2021
      • Rikki Santer Fall 2021
      • Evy Shen Fall 2021
      • Suzanne Frischkorn Fall 2021
      • Danielle Rose Fall 2021
      • Eric Burgoyne Fall 2021
      • John Cullen Fall 2021
      • Maureen Seaton Fall 2021
      • Hannah Stephens Fall 2021
    • Issue #22 Nonfiction Fall 2021 >
      • Kevin Grauke Fall 2021
      • Courtney Justus Fall 2021
      • Amy Nicholson Fall 2021
    • Issue #22 Fiction Fall 2021 >
      • Tina Jenkins Bell Fall 2021
      • David Obuchowski Fall 2021
      • Thomas Misuraca Fall 2021
      • Aiden Baker Fall 2021
      • Jenny Magnus Fall 2021
  • Issue 23 Spring 2022
    • Issue #23 Art Spring 2022 >
      • Jonathan Kvassay Spring 2022
      • Karyna McGlynn Spring 2022
      • Andrea Kowch Spring 2022
      • Layla Garcia-Torres Spring 2022
    • Issue #23 Poetry Spring 2022 >
      • Robin Gow Spring 2022
      • T.D. Walker Spring 2022
      • Jen Schalliol Huang Spring 2022
      • Yvonne Zipter Spring 2022
      • Carrie McGath Spring 2022
      • Lupita Eyde-Tucker Spring 2022
      • Susan L. Leary Spring 2022
      • Kate Sweeney Spring 2022
      • Rita Mookerjee Spring 2022
      • Erin Carlyle Spring 2022
      • Cori Bratty-Rudd Spring 2022
      • Jen Karetnick Spring 2022
      • Meghan Sterling Spring 2022
      • Lorelei Bacht Spring 2022
      • Michael Passafiume Spring 2022
      • Jeannine Hall Gailey Spring 2022
      • Phil Goldstein Spring 2022
      • Michael Mingo Spring 2022
      • Angie Macri Spring 2022
      • Martha Silano Spring 2022
      • Vismai Rao Spring 2022
      • Anna Laura Reeve Spring 2022
      • Jenny Irish Spring 2022
      • Marek Kulig Spring 2022
      • Jami Macarty Spring 2022
      • Sarah A. Rae Spring 2022
      • Brittney Corrigan Spring 2022
      • Callista Buchen Spring 2022
      • Issam Zineh Spring 2022
      • MICHAEL CHANG Spring 2022
      • henry 7. reneau, jr. Spring 2022
      • Leah Umansky Spring 2022
      • Cody Beck Spring 2022
      • Danyal Kim Spring 2022
      • Rachel DeWoskin Spring 2022
    • Issue #23 Fiction Spring 2022 >
      • Melissa Boberg Spring 2022
    • Issue #23 Nonfiction Spring 2022 >
      • Srinaath Perangur Spring 2022
      • Audrey T. Carroll Spring 2022