Jet Fuel Review
  • Home
  • About
    • Our Story
    • Masthead
  • Submit
    • Submission Guidelines
    • Submit Here
  • Features
  • Interviews
  • Book Reviews
  • Previous Issues
  • Blog
  • Contact
  • Issue 23 Spring 2022
    • Issue #23 Art Spring 2022 >
      • Jonathan Kvassay Spring 2022
      • Karyna McGlynn Spring 2022
      • Andrea Kowch Spring 2022
      • Layla Garcia-Torres Spring 2022
    • Issue #23 Poetry Spring 2022 >
      • Robin Gow Spring 2022
      • T.D. Walker Spring 2022
      • Jen Schalliol Huang Spring 2022
      • Yvonne Zipter Spring 2022
      • Carrie McGath Spring 2022
      • Lupita Eyde-Tucker Spring 2022
      • Susan L. Leary Spring 2022
      • Kate Sweeney Spring 2022
      • Rita Mookerjee Spring 2022
      • Erin Carlyle Spring 2022
      • Cori Bratty-Rudd Spring 2022
      • Jen Karetnick Spring 2022
      • Meghan Sterling Spring 2022
      • Lorelei Bacht Spring 2022
      • Michael Passafiume Spring 2022
      • Jeannine Hall Gailey Spring 2022
      • Phil Goldstein Spring 2022
      • Michael Mingo Spring 2022
      • Angie Macri Spring 2022
      • Martha Silano Spring 2022
      • Vismai Rao Spring 2022
      • Anna Laura Reeve Spring 2022
      • Jenny Irish Spring 2022
      • Marek Kulig Spring 2022
      • Jami Macarty Spring 2022
      • Sarah A. Rae Spring 2022
      • Brittney Corrigan Spring 2022
      • Callista Buchen Spring 2022
      • Issam Zineh Spring 2022
      • MICHAEL CHANG Spring 2022
      • henry 7. reneau, jr. Spring 2022
      • Leah Umansky Spring 2022
      • Cody Beck Spring 2022
      • Danyal Kim Spring 2022
      • Rachel DeWoskin Spring 2022
    • Issue #23 Fiction Spring 2022 >
      • Melissa Boberg Spring 2022
    • Issue #23 Nonfiction Spring 2022 >
      • Srinaath Perangur Spring 2022
      • Audrey T. Carroll Spring 2022
  • Issue #24 Fall 2022
    • Issue #24 Art Fall 2022 >
      • Marsha Solomon Fall 2022
      • Edward Lee Fall 2022
      • Harryette Mullen Fall 2022
      • Jezzelle Kellam Fall 2022
      • Irina Greciuhina Fall 2022
      • Natalie Christensen Fall 2022
      • Mark Yale Harris Fall 2022
      • Amy Nelder Fall 2022
      • Bette Ridgeway Fall 2022
      • Ursula Sokolowska Fall 2022
    • Issue #24 Poetry Fall 2022 >
      • William Stobb Fall 2022
      • e Fall 2022
      • Stefanie Kirby Fall 2022
      • Lisa Ampleman Fall 2022
      • Will Cordeiro Fall 2022
      • Jesica Davis Fall 2022
      • Peter O'Donovan Fall 2022
      • Mackenzie Carignan Fall 2022
      • Jason Fraley Fall 2022
      • Barbara Saunier Fall 2022
      • Chad Weeden Fall 2022
      • Nick Rattner Fall 2022
      • Cynthia Schwartzberg Edlow Fall 2022
      • Summer J. Hart Fall 2022
      • Daniel Suá​rez Fall 2022
      • Sara Kearns Fall 2022
      • Millicent Borges Accardi Fall 2022
      • Liz Robbins Fall 2022
      • john compton Fall 2022
      • Esther Sadoff Fall 2022
      • Whitney Koo Fall 2022
      • W. J. Lofton Fall 2022
      • Rachel Reynolds Fall 2022
      • Kimberly Ann Priest Fall 2022
      • Annie Przypyszny Fall 2022
      • Konstantin Kulakov Fall 2022
      • Nellie Cox Fall 2022
      • Jennifer Martelli Fall 2022
      • SM Stubbs Fall 2022
      • Joshua Bird Fall 2022
    • Issue #24 Fiction Fall 2022 >
      • Otis Fuqua Fall 2022
      • Hannah Harlow Fall 2022
      • Natalia Nebel Fall 2022
      • Kate Maxwell Fall 2022
      • Helena Pantsis Fall 2022
    • Issue #24 Nonfiction Fall 2022 >
      • Courtney Ludwick Fall 2022
      • Anna Oberg Fall 2022
      • Acadia Currah Fall 2022
  • Issue #25 Spring 2023
    • Issue #25 Art Spring 2023 >
      • David Carter Spring 2023
      • Annabel Jung Spring 2023
      • Ryota Matsumoto Spring 2023
      • Leah Oates Spring 2023
      • Eve Ozer Spring 2023
      • Emily Rankin Spring 2023
      • Esther Yeon Spring 2023
    • Issue #25 Poetry Spring 2023 >
      • Emma Bolden Spring 2023
      • Ronda Piszk Broatch Spring 2023
      • M. Cynthia Cheung Spring 2023
      • Flower Conroy Spring 2023
      • Jill Crammond Spring 2023
      • Sandra Crouch Spring 2023
      • Satya Dash Spring 2023
      • Rita Feinstein Spring 2023
      • Dan Fliegel Spring 2023
      • Lisa Higgs ​Spring 2023
      • Dennis Hinrichsen ​Spring 2023
      • Mara Jebsen ​Spring 2023
      • Abriana Jetté ​Spring 2023
      • Letitia Jiju ​Spring 2023
      • E.W.I. Johnson ​Spring 2023
      • Ashley Kunsa ​Spring 2023
      • Susanna Lang ​Spring 2023
      • James Fujinami Moore Spring 2023
      • Matthew Murrey Spring 2023
      • Pablo Otavalo Spring 2023
      • Heather Qin ​Spring 2023
      • Wesley Sexton ​Spring 2023
      • Ashish Singh ​Spring 2023
      • Sara Sowers-Wills ​Spring 2023
      • Sydney Vogl ​Spring 2023
      • Elinor Ann Walker Spring 2023
      • Andrew Wells Spring 2023
      • Erin Wilson Spring 2023
      • Marina Hope Wilson ​Spring 2023
      • David Wojciechowski Spring 2023
      • Jules Wood Spring 2023
      • Ellen Zhang Spring 2023
      • BJ Zhou Spring 2023
      • Jane Zwart Spring 2023
    • Issue #25 Fiction Spring 2023 >
      • Eleonora Balsano Spring 2023
      • Callie S. Blackstone Spring 2023
      • Daniel Deisinger Spring 2023
      • CL Glanzing Spring 2023
      • Janine Kovac Spring 2023
      • Jeremy T. Wilson Spring 2023
      • Richie Zaborowske Spring 2023
    • Issue #25 Nonfiction Spring 2023 >
      • Kalie Johnson Spring 2023
      • Amanda Roth Spring 2023

Kate Sweeney

Dropped Stitch

                                               In response to Bea Camachos ‘Enclose’

One night in an empty gallery an artist
crochets herself into a womb        she starts at her feet
working the bone-tipped needles until she is disappeared
inside of a homemade uterus knit of mohair and bloody dye.

The instructions for erasing yourself into a womb starts with the feet,
the last part of the description reads:       This is the Path to Reincarnation,
hand-craft a uterus comprised of mohair, blood, and dye      get inside. Don’t
think transcendence don’t think sex or bird or body or repeating mouths don’t think love.

Imagine, the Path to Reincarnation reads as a description on a wall
in a museum. That after death you will be invited back to birth yourself.
Think animalistic sex bird that transcends mouth,      think love    on repeat body think
of cardinals slaughtered in cosmic radiance. An entire landscape by your hands.

After death you will be invited back to birth yourself. You will need a museum
you will need bone-tipped needles erasers an invisible womb    Your
hands re-knit the landscape a radiance of cardinals slaughter     the cosmos
unrecognizable for the span of one night           in an empty gallery an artist

Foaling


​On the drive to the farm we talk about the taste of cherry
and how most horses are born before dawn.

As if they understand morning light looks better
on the wet matted fur of creatures newly escaped

from the confines of a body. It’s freezing
pre-dawn–I am too young to share your coffee,

my breath hotter than the air. Your pick-up, rusty
at the wheel bed. Frost at the base of the windshield.

The smell of dog. Men like this always have dogs named
after their mother, or dead sister and the mass cards

glued above radio dials to prove it. When we arrive,
the pregnant Appaloosa is frustrated,

laid out on clean blankets trying to give birth, her body
unable to release the child. These kind of babies

stand moments after birth, you say.
All of the animal’s nearby sound like they are dying.

It’s only one horse giving birth but the others
mimic her cry from their stalls

even the males. You tell me to put my whole arm
inside of her, to the shoulder

to feel around, to hook the rope around the hooves
of the baby, but I can only feel the neck.

This is the first time my body
has ever been inside of another body.

The air is impatient. I slip twice on viscera
and the heartbeat I feel with my hands from the inside

of the animal starts to quiet.
I don’t tell anyone. Finally

I get the feet hooked with rope
and fasten metal stirrups to the frayed ends.

You’re not wearing gloves. We brace our heels
against a wooden partition and separate

baby from mother. He doesn’t stand.
The slick beige, half-spotted body

is laid in a heap, behind the back
of his spilled open mother. A glowing

pool of fur in the burnt sunlight.
Years later, my children will be born in the evening

they will have no hair on their arrival.
Years later, I will remember the farmer insisted

I leave as he readied his shotgun
and I slid the barn door closed, listening

for sound, for metal released
into metal, for the hinge to relent.


--
Kate Sweeney is a poet living in Los Angeles. She is Marketing Director for The Adroit Journal, and Word is Bond, a community-centered poetry reading series partnered with AAWW that raises funds for transnational relief efforts and mutual aid organizations. Kate has a chapbook, The Oranges Will Still Grow Without Us (Ethel '22), and her work has appeared in Northwest Review, SWWIM, The Shore Poetry, etc., and is forthcoming from Muzzle Magazine.

    Get updates from jet fuel review

Subscribe to Newsletter
© COPYRIGHT 2019. ALL RIGHTS RESERVED.
  • Home
  • About
    • Our Story
    • Masthead
  • Submit
    • Submission Guidelines
    • Submit Here
  • Features
  • Interviews
  • Book Reviews
  • Previous Issues
  • Blog
  • Contact
  • Issue 23 Spring 2022
    • Issue #23 Art Spring 2022 >
      • Jonathan Kvassay Spring 2022
      • Karyna McGlynn Spring 2022
      • Andrea Kowch Spring 2022
      • Layla Garcia-Torres Spring 2022
    • Issue #23 Poetry Spring 2022 >
      • Robin Gow Spring 2022
      • T.D. Walker Spring 2022
      • Jen Schalliol Huang Spring 2022
      • Yvonne Zipter Spring 2022
      • Carrie McGath Spring 2022
      • Lupita Eyde-Tucker Spring 2022
      • Susan L. Leary Spring 2022
      • Kate Sweeney Spring 2022
      • Rita Mookerjee Spring 2022
      • Erin Carlyle Spring 2022
      • Cori Bratty-Rudd Spring 2022
      • Jen Karetnick Spring 2022
      • Meghan Sterling Spring 2022
      • Lorelei Bacht Spring 2022
      • Michael Passafiume Spring 2022
      • Jeannine Hall Gailey Spring 2022
      • Phil Goldstein Spring 2022
      • Michael Mingo Spring 2022
      • Angie Macri Spring 2022
      • Martha Silano Spring 2022
      • Vismai Rao Spring 2022
      • Anna Laura Reeve Spring 2022
      • Jenny Irish Spring 2022
      • Marek Kulig Spring 2022
      • Jami Macarty Spring 2022
      • Sarah A. Rae Spring 2022
      • Brittney Corrigan Spring 2022
      • Callista Buchen Spring 2022
      • Issam Zineh Spring 2022
      • MICHAEL CHANG Spring 2022
      • henry 7. reneau, jr. Spring 2022
      • Leah Umansky Spring 2022
      • Cody Beck Spring 2022
      • Danyal Kim Spring 2022
      • Rachel DeWoskin Spring 2022
    • Issue #23 Fiction Spring 2022 >
      • Melissa Boberg Spring 2022
    • Issue #23 Nonfiction Spring 2022 >
      • Srinaath Perangur Spring 2022
      • Audrey T. Carroll Spring 2022
  • Issue #24 Fall 2022
    • Issue #24 Art Fall 2022 >
      • Marsha Solomon Fall 2022
      • Edward Lee Fall 2022
      • Harryette Mullen Fall 2022
      • Jezzelle Kellam Fall 2022
      • Irina Greciuhina Fall 2022
      • Natalie Christensen Fall 2022
      • Mark Yale Harris Fall 2022
      • Amy Nelder Fall 2022
      • Bette Ridgeway Fall 2022
      • Ursula Sokolowska Fall 2022
    • Issue #24 Poetry Fall 2022 >
      • William Stobb Fall 2022
      • e Fall 2022
      • Stefanie Kirby Fall 2022
      • Lisa Ampleman Fall 2022
      • Will Cordeiro Fall 2022
      • Jesica Davis Fall 2022
      • Peter O'Donovan Fall 2022
      • Mackenzie Carignan Fall 2022
      • Jason Fraley Fall 2022
      • Barbara Saunier Fall 2022
      • Chad Weeden Fall 2022
      • Nick Rattner Fall 2022
      • Cynthia Schwartzberg Edlow Fall 2022
      • Summer J. Hart Fall 2022
      • Daniel Suá​rez Fall 2022
      • Sara Kearns Fall 2022
      • Millicent Borges Accardi Fall 2022
      • Liz Robbins Fall 2022
      • john compton Fall 2022
      • Esther Sadoff Fall 2022
      • Whitney Koo Fall 2022
      • W. J. Lofton Fall 2022
      • Rachel Reynolds Fall 2022
      • Kimberly Ann Priest Fall 2022
      • Annie Przypyszny Fall 2022
      • Konstantin Kulakov Fall 2022
      • Nellie Cox Fall 2022
      • Jennifer Martelli Fall 2022
      • SM Stubbs Fall 2022
      • Joshua Bird Fall 2022
    • Issue #24 Fiction Fall 2022 >
      • Otis Fuqua Fall 2022
      • Hannah Harlow Fall 2022
      • Natalia Nebel Fall 2022
      • Kate Maxwell Fall 2022
      • Helena Pantsis Fall 2022
    • Issue #24 Nonfiction Fall 2022 >
      • Courtney Ludwick Fall 2022
      • Anna Oberg Fall 2022
      • Acadia Currah Fall 2022
  • Issue #25 Spring 2023
    • Issue #25 Art Spring 2023 >
      • David Carter Spring 2023
      • Annabel Jung Spring 2023
      • Ryota Matsumoto Spring 2023
      • Leah Oates Spring 2023
      • Eve Ozer Spring 2023
      • Emily Rankin Spring 2023
      • Esther Yeon Spring 2023
    • Issue #25 Poetry Spring 2023 >
      • Emma Bolden Spring 2023
      • Ronda Piszk Broatch Spring 2023
      • M. Cynthia Cheung Spring 2023
      • Flower Conroy Spring 2023
      • Jill Crammond Spring 2023
      • Sandra Crouch Spring 2023
      • Satya Dash Spring 2023
      • Rita Feinstein Spring 2023
      • Dan Fliegel Spring 2023
      • Lisa Higgs ​Spring 2023
      • Dennis Hinrichsen ​Spring 2023
      • Mara Jebsen ​Spring 2023
      • Abriana Jetté ​Spring 2023
      • Letitia Jiju ​Spring 2023
      • E.W.I. Johnson ​Spring 2023
      • Ashley Kunsa ​Spring 2023
      • Susanna Lang ​Spring 2023
      • James Fujinami Moore Spring 2023
      • Matthew Murrey Spring 2023
      • Pablo Otavalo Spring 2023
      • Heather Qin ​Spring 2023
      • Wesley Sexton ​Spring 2023
      • Ashish Singh ​Spring 2023
      • Sara Sowers-Wills ​Spring 2023
      • Sydney Vogl ​Spring 2023
      • Elinor Ann Walker Spring 2023
      • Andrew Wells Spring 2023
      • Erin Wilson Spring 2023
      • Marina Hope Wilson ​Spring 2023
      • David Wojciechowski Spring 2023
      • Jules Wood Spring 2023
      • Ellen Zhang Spring 2023
      • BJ Zhou Spring 2023
      • Jane Zwart Spring 2023
    • Issue #25 Fiction Spring 2023 >
      • Eleonora Balsano Spring 2023
      • Callie S. Blackstone Spring 2023
      • Daniel Deisinger Spring 2023
      • CL Glanzing Spring 2023
      • Janine Kovac Spring 2023
      • Jeremy T. Wilson Spring 2023
      • Richie Zaborowske Spring 2023
    • Issue #25 Nonfiction Spring 2023 >
      • Kalie Johnson Spring 2023
      • Amanda Roth Spring 2023