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  • Issue 22 Fall 2021
    • Issue #22 Art Fall 2021 >
      • Bonnie Severien Fall 2021
      • Camilla Taylor Fall 2021
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    • Issue #22 Poetry Fall 2021 >
      • Maureen Alsop Fall 2021
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      • Natalie Hampton Fall 2021
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      • Adam Tavel Fall 2021
      • Sara Moore Fall 2021
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      • Kindall Fredricks Fall 2021
      • Cin Salach Fall 2021
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      • Haley Wooning Fall 2021
      • Rikki Santer Fall 2021
      • Evy Shen Fall 2021
      • Suzanne Frischkorn Fall 2021
      • Danielle Rose Fall 2021
      • Eric Burgoyne Fall 2021
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    • Issue #22 Nonfiction Fall 2021 >
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    • Issue #22 Fiction Fall 2021 >
      • Tina Jenkins Bell Fall 2021
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      • Aiden Baker Fall 2021
      • Jenny Magnus Fall 2021
  • Issue 23 Spring 2022
    • Issue #23 Art Spring 2022 >
      • Jonathan Kvassay Spring 2022
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    • Issue #23 Poetry Spring 2022 >
      • Robin Gow Spring 2022
      • T.D. Walker Spring 2022
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      • Carrie McGath Spring 2022
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      • Jen Karetnick Spring 2022
      • Meghan Sterling Spring 2022
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      • Michael Passafiume Spring 2022
      • Jeannine Hall Gailey Spring 2022
      • Phil Goldstein Spring 2022
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      • Angie Macri Spring 2022
      • Martha Silano Spring 2022
      • Vismai Rao Spring 2022
      • Anna Laura Reeve Spring 2022
      • Jenny Irish Spring 2022
      • Marek Kulig Spring 2022
      • Jami Macarty Spring 2022
      • Sarah A. Rae Spring 2022
      • Brittney Corrigan Spring 2022
      • Callista Buchen Spring 2022
      • Issam Zineh Spring 2022
      • MICHAEL CHANG Spring 2022
      • henry 7. reneau, jr. Spring 2022
      • Leah Umansky Spring 2022
      • Cody Beck Spring 2022
      • Danyal Kim Spring 2022
      • Rachel DeWoskin Spring 2022
    • Issue #23 Fiction Spring 2022 >
      • Melissa Boberg Spring 2022
    • Issue #23 Nonfiction Spring 2022 >
      • Srinaath Perangur Spring 2022
      • Audrey T. Carroll Spring 2022

Kristina Marie Darling & John Gallaher

THERE WAS NOTHING STRANGE ABOUT THE EXTRA ROOM


Still you seemed startled when I told you about it, as though someone had placed a cold
hand on your wrist.  

I tried to explain that it was only for certain occasions, like an ice storm.  Or, if the need for
silence ever arose in the middle of a dinner party.  Everyone else on our street had already
furnished theirs, and lined each of the drawers with silk.  

Even now, you don't trust me.  Here, let me unlock the cabinets and show you the silver. 
The pierced tablespoons are so real, you'd never know they're a distraction.

DRIVE-THRU AMERICANA WITH THE CHATTY GHOSTS


You use it like a hammer.  


And if we make it to New Orleans, we can stay in a haunted mansion, where the victims of
criminal Delphine LaLaurie are said to still scream and wail at night.  We can stay there if we
want.  There’s a little yard and gift shop.  


Things may yet turn out happy.

INSIDE A HAUNTED MANSION, A DIMLY LIT CORRIDOR IS USUALLY THE
FIRST THING YOU'LL SEE


Actually, I used it more like an axe.  

When we drove through New Orleans, you mentioned the abandoned house, but you didn't
realize I'd already reserved us rooms.  At first, it looked like everything was cordoned off: 
the marble staircase, the anteroom, even the lavishly decorated parlor we'd heard so much
about.  

It goes without saying there were a few more things you didn't know.  Because it only
seemed like we were traveling, always en route to some other coast.  Really, we had just
arrived, only you had no idea as you stood there in the elevator with all of your things.  

And there's a reason the rooms were locked.  But before I get to that, let me show you the
where they keep the food.  I have a feeling that you're afraid to ask.

CHAPTER TWO


The past reveals itself as a series of rooms opening inside a single room. At first, it looks like
something we can navigate, even though you misplaced the champagne flutes on the night of
the dinner party.

But this was before a seemingly endless series of housefires.  Most of the guests had already
commented on the baroque style of the architecture, its magnificent impracticality. Soon the
dark green curtains are smoldering beside a beveled mirror, the broken statuettes.  

This is always the problem with large houses.  No, this is the problem with guests, the way
they find their way into the wine cellar you forgot you ever built.  

Now the sound of footsteps, a key turning in the lock--



--
Kristina Marie Darling & John Gallaher  were born in Portland and Tulsa. Their collaborations appear in OmniVerse, Requited, diode, and elsewhere. They currently live and write in rural Missouri while also taking frequent trips on the bullet train from Paris to Agen. ­­

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  • Home
  • About
    • Our Story
    • Masthead
  • Submit
    • Submission Guidelines
    • Submit Here
  • Features
  • Interviews
  • Book Reviews
  • Previous Issues
  • Blog
  • Contact
  • Issue 22 Fall 2021
    • Issue #22 Art Fall 2021 >
      • Bonnie Severien Fall 2021
      • Camilla Taylor Fall 2021
      • Guilherme Bergamini Fall 2021
      • Emanuela Iorga Fall 2021
    • Issue #22 Poetry Fall 2021 >
      • Maureen Alsop Fall 2021
      • Annah Browning Fall 2021
      • Romana Iorga Fall 2021
      • Natalie Hampton Fall 2021
      • Sherine Gilmour Fall 2021
      • Adam Day Fall 2021
      • Amanda Auchter Fall 2021
      • Adam Tavel Fall 2021
      • Sara Moore Fall 2021
      • Karen Rigby Fall 2021
      • Daniel Zhang Fall 2021
      • Erika Lutzner Fall 2021
      • Kindall Fredricks Fall 2021
      • Cin Salach Fall 2021
      • Andrew Zawacki Fall 2021
      • Micah Ruelle Fall 2021
      • Rachel Stempel Fall 2021
      • Haley Wooning Fall 2021
      • Rikki Santer Fall 2021
      • Evy Shen Fall 2021
      • Suzanne Frischkorn Fall 2021
      • Danielle Rose Fall 2021
      • Eric Burgoyne Fall 2021
      • John Cullen Fall 2021
      • Maureen Seaton Fall 2021
      • Hannah Stephens Fall 2021
    • Issue #22 Nonfiction Fall 2021 >
      • Kevin Grauke Fall 2021
      • Courtney Justus Fall 2021
      • Amy Nicholson Fall 2021
    • Issue #22 Fiction Fall 2021 >
      • Tina Jenkins Bell Fall 2021
      • David Obuchowski Fall 2021
      • Thomas Misuraca Fall 2021
      • Aiden Baker Fall 2021
      • Jenny Magnus Fall 2021
  • Issue 23 Spring 2022
    • Issue #23 Art Spring 2022 >
      • Jonathan Kvassay Spring 2022
      • Karyna McGlynn Spring 2022
      • Andrea Kowch Spring 2022
      • Layla Garcia-Torres Spring 2022
    • Issue #23 Poetry Spring 2022 >
      • Robin Gow Spring 2022
      • T.D. Walker Spring 2022
      • Jen Schalliol Huang Spring 2022
      • Yvonne Zipter Spring 2022
      • Carrie McGath Spring 2022
      • Lupita Eyde-Tucker Spring 2022
      • Susan L. Leary Spring 2022
      • Kate Sweeney Spring 2022
      • Rita Mookerjee Spring 2022
      • Erin Carlyle Spring 2022
      • Cori Bratty-Rudd Spring 2022
      • Jen Karetnick Spring 2022
      • Meghan Sterling Spring 2022
      • Lorelei Bacht Spring 2022
      • Michael Passafiume Spring 2022
      • Jeannine Hall Gailey Spring 2022
      • Phil Goldstein Spring 2022
      • Michael Mingo Spring 2022
      • Angie Macri Spring 2022
      • Martha Silano Spring 2022
      • Vismai Rao Spring 2022
      • Anna Laura Reeve Spring 2022
      • Jenny Irish Spring 2022
      • Marek Kulig Spring 2022
      • Jami Macarty Spring 2022
      • Sarah A. Rae Spring 2022
      • Brittney Corrigan Spring 2022
      • Callista Buchen Spring 2022
      • Issam Zineh Spring 2022
      • MICHAEL CHANG Spring 2022
      • henry 7. reneau, jr. Spring 2022
      • Leah Umansky Spring 2022
      • Cody Beck Spring 2022
      • Danyal Kim Spring 2022
      • Rachel DeWoskin Spring 2022
    • Issue #23 Fiction Spring 2022 >
      • Melissa Boberg Spring 2022
    • Issue #23 Nonfiction Spring 2022 >
      • Srinaath Perangur Spring 2022
      • Audrey T. Carroll Spring 2022