Jet Fuel Review
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Kristy Bowen

from apocalypse theory: a reader 1


My apocalypse theory scatters beer bottles across the porch. Is all armchairs and armageddon when the power goes out. But my shoes are all lined up, toes pointed at the door just in case. I was drowning in the beginning, but what I lacked in oxygen, I made up for in radio static. My apocalypse theory likes my hand in his pants sometimes, my mouth as warm and soft as butter in the dish. My apocalypse theory is nothing if not resourceful. I have six rolls of duct tape and a vase full of plastic dahlias. I have a pool cue and a mustang beneath a dusty tarp in the garage. I am nothing if not ready.


from apocalypse theory: a reader 2


My apocalypse theory begins with wasps and ends with too many raccoons knocking over garbage cans. It's all mongrels and barbie dolls, and nothing to do with Jesus. Only a small breathing, some quick-hearted thing moving under the stove. I was doe-eyed, dolled up, and standing in the center of a ring of ponies when it came for me, the circle collapsing inward with the weight of it's own emptiness. My apocalypse theory was nothing if not crudely wrought,. Nothing if not over the top.  We referred to it as the "Scottish Play" but everyone knew better. All the small horses wore exquisitely embroidered headpieces and sad caged looks. The end of it all was at the end of a great big rope. The end of it all was moving faster toward us, but always farther away.
​

from apocalypse theory: a reader 3


My apocalypse theory begins as a tiny machine, gears turning over and an approximation of feathers. My apocalypse theory is inconsolable when I say no, huddles underneath the overpass and calls me at 3am. He says there is too much Texas in Texas, too much wideness. I tell him what doesn’t kill him makes him stronger, but he keeps adjusting the wax wings on his back and mumbling about airplanes. There is too much highway in Texas, bright and clean and filled with taxdollars. Too many open spaces and combustibles. His gears crud up with oil residue. I imagine him with a smear of ash across his cheek and a pocket full of rusty bottle tops. I imagine he is holding a match and just waiting for the right wind.

 


--
Kristy Bowen is the author of several book, chapbook, and zine projects, including the forthcoming books the shared properties of water and stars (Noctuary Press, 2013) and girl show (Black Lawrence Press, 2013). Her work has appeared recently in Spittoon, Projectile, and Fifth Wednesday. She lives in Chicago, where she runs dancing girl press & studio.

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  • Home
  • About
    • Our Story
    • Masthead
  • Submit
    • Submission Guidelines
    • Submit Here
  • Features
  • Interviews
  • Book Reviews
  • Previous Issues
  • Blog
  • Contact
  • Issue 22 Fall 2021
    • Issue #22 Art Fall 2021 >
      • Bonnie Severien Fall 2021
      • Camilla Taylor Fall 2021
      • Guilherme Bergamini Fall 2021
      • Emanuela Iorga Fall 2021
    • Issue #22 Poetry Fall 2021 >
      • Maureen Alsop Fall 2021
      • Annah Browning Fall 2021
      • Romana Iorga Fall 2021
      • Natalie Hampton Fall 2021
      • Sherine Gilmour Fall 2021
      • Adam Day Fall 2021
      • Amanda Auchter Fall 2021
      • Adam Tavel Fall 2021
      • Sara Moore Fall 2021
      • Karen Rigby Fall 2021
      • Daniel Zhang Fall 2021
      • Erika Lutzner Fall 2021
      • Kindall Fredricks Fall 2021
      • Cin Salach Fall 2021
      • Andrew Zawacki Fall 2021
      • Micah Ruelle Fall 2021
      • Rachel Stempel Fall 2021
      • Haley Wooning Fall 2021
      • Rikki Santer Fall 2021
      • Evy Shen Fall 2021
      • Suzanne Frischkorn Fall 2021
      • Danielle Rose Fall 2021
      • Eric Burgoyne Fall 2021
      • John Cullen Fall 2021
      • Maureen Seaton Fall 2021
      • Hannah Stephens Fall 2021
    • Issue #22 Nonfiction Fall 2021 >
      • Kevin Grauke Fall 2021
      • Courtney Justus Fall 2021
      • Amy Nicholson Fall 2021
    • Issue #22 Fiction Fall 2021 >
      • Tina Jenkins Bell Fall 2021
      • David Obuchowski Fall 2021
      • Thomas Misuraca Fall 2021
      • Aiden Baker Fall 2021
      • Jenny Magnus Fall 2021
  • Issue 23 Spring 2022
    • Issue #23 Art Spring 2022 >
      • Jonathan Kvassay Spring 2022
      • Karyna McGlynn Spring 2022
      • Andrea Kowch Spring 2022
      • Layla Garcia-Torres Spring 2022
    • Issue #23 Poetry Spring 2022 >
      • Robin Gow Spring 2022
      • T.D. Walker Spring 2022
      • Jen Schalliol Huang Spring 2022
      • Yvonne Zipter Spring 2022
      • Carrie McGath Spring 2022
      • Lupita Eyde-Tucker Spring 2022
      • Susan L. Leary Spring 2022
      • Kate Sweeney Spring 2022
      • Rita Mookerjee Spring 2022
      • Erin Carlyle Spring 2022
      • Cori Bratty-Rudd Spring 2022
      • Jen Karetnick Spring 2022
      • Meghan Sterling Spring 2022
      • Lorelei Bacht Spring 2022
      • Michael Passafiume Spring 2022
      • Jeannine Hall Gailey Spring 2022
      • Phil Goldstein Spring 2022
      • Michael Mingo Spring 2022
      • Angie Macri Spring 2022
      • Martha Silano Spring 2022
      • Vismai Rao Spring 2022
      • Anna Laura Reeve Spring 2022
      • Jenny Irish Spring 2022
      • Marek Kulig Spring 2022
      • Jami Macarty Spring 2022
      • Sarah A. Rae Spring 2022
      • Brittney Corrigan Spring 2022
      • Callista Buchen Spring 2022
      • Issam Zineh Spring 2022
      • MICHAEL CHANG Spring 2022
      • henry 7. reneau, jr. Spring 2022
      • Leah Umansky Spring 2022
      • Cody Beck Spring 2022
      • Danyal Kim Spring 2022
      • Rachel DeWoskin Spring 2022
    • Issue #23 Fiction Spring 2022 >
      • Melissa Boberg Spring 2022
    • Issue #23 Nonfiction Spring 2022 >
      • Srinaath Perangur Spring 2022
      • Audrey T. Carroll Spring 2022