Jet Fuel Review
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  • Issue 22 Fall 2021
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  • Issue 23 Spring 2022
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      • Michael Passafiume Spring 2022
      • Jeannine Hall Gailey Spring 2022
      • Phil Goldstein Spring 2022
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      • Vismai Rao Spring 2022
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      • MICHAEL CHANG Spring 2022
      • henry 7. reneau, jr. Spring 2022
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    • Issue #23 Fiction Spring 2022 >
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Merridawn Duckler

Survivor


The philanderer and the harlot gave you the world’s tiniest violin
to play at their multiple weddings. They are your parents.

Across town your sister sits in a flower dress,
only long enough to cover her sadness.

You sing as you play: O, persistent shame, come hither;
ever the second child, they had to throw out the first

not like a baseball or a bouquet but like a miscarriage
spinning in history’s pale, porcelain bowl.

I see you have grown your hair long as a willow.
You are beautiful and wise. When the whispers begin

you never stop cooking
but follow the recipe by heart

so your ears are free to catch even one fact before it’s doused
quick as a firefly, to bring at night to your sister

hidden in the silo. There she sits, a shy ram on the sidelines,
as they go through the grand motions of laying the greater good on the pyre.



The Frank Stella Irrespective


                                                                                  “Do you still call these things paintings?”
                                                                                  “Yes, they are, in fact, paintings.”

I am not your window.
I am your door painter.
 
I am your poor, yearning to be me.
Take off the audio-guide and step on it.
 
I pick colors that follow the race circuit.
My biography is cartography.
 
I am straight from the can.
My Jewish gates are closed open to you.
 
I will destroy the old villages with a protractor.
I found the object that you lost in Russia in 1933.
 
I married a birder.
Yes, she was, in fact, a passionate birder.
 
I wept in jail from an anecdote that made others laugh.
See how the picture plane gives it both ways?
 
I am not a mirror.
I am your mirror.
 
I kept one hand on the wall, it was hard to give it up.
I have changed everything with a tiny cut.
 
Most of all, the painting is an argument.
and I am the one who has to be convinced.





--
Merridawn Duckler is a poet and playwright from Portland, Oregon. Her poetry has been featured in The Offing, Unbroken Journal, Cleaver, Crab Creek Review, and others. She is a finalist at Center for Book Arts, Tupelo Press, Sozoplo Fiction Fellowship. Her fellowships and awards include Writers@Work, NEA, Yaddo, Squaw Valley, SLS in St. Petersburg, Russia, Southampton Poetry Conference, Wigleaf Top 50 in micro-fiction, and others. She is an editor at Narrative and the international philosophy journal Evental Aesthetics.

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  • Home
  • About
    • Our Story
    • Masthead
  • Submit
    • Submission Guidelines
    • Submit Here
  • Features
  • Interviews
  • Book Reviews
  • Previous Issues
  • Blog
  • Contact
  • Issue 22 Fall 2021
    • Issue #22 Art Fall 2021 >
      • Bonnie Severien Fall 2021
      • Camilla Taylor Fall 2021
      • Guilherme Bergamini Fall 2021
      • Emanuela Iorga Fall 2021
    • Issue #22 Poetry Fall 2021 >
      • Maureen Alsop Fall 2021
      • Annah Browning Fall 2021
      • Romana Iorga Fall 2021
      • Natalie Hampton Fall 2021
      • Sherine Gilmour Fall 2021
      • Adam Day Fall 2021
      • Amanda Auchter Fall 2021
      • Adam Tavel Fall 2021
      • Sara Moore Fall 2021
      • Karen Rigby Fall 2021
      • Daniel Zhang Fall 2021
      • Erika Lutzner Fall 2021
      • Kindall Fredricks Fall 2021
      • Cin Salach Fall 2021
      • Andrew Zawacki Fall 2021
      • Micah Ruelle Fall 2021
      • Rachel Stempel Fall 2021
      • Haley Wooning Fall 2021
      • Rikki Santer Fall 2021
      • Evy Shen Fall 2021
      • Suzanne Frischkorn Fall 2021
      • Danielle Rose Fall 2021
      • Eric Burgoyne Fall 2021
      • John Cullen Fall 2021
      • Maureen Seaton Fall 2021
      • Hannah Stephens Fall 2021
    • Issue #22 Nonfiction Fall 2021 >
      • Kevin Grauke Fall 2021
      • Courtney Justus Fall 2021
      • Amy Nicholson Fall 2021
    • Issue #22 Fiction Fall 2021 >
      • Tina Jenkins Bell Fall 2021
      • David Obuchowski Fall 2021
      • Thomas Misuraca Fall 2021
      • Aiden Baker Fall 2021
      • Jenny Magnus Fall 2021
  • Issue 23 Spring 2022
    • Issue #23 Art Spring 2022 >
      • Jonathan Kvassay Spring 2022
      • Karyna McGlynn Spring 2022
      • Andrea Kowch Spring 2022
      • Layla Garcia-Torres Spring 2022
    • Issue #23 Poetry Spring 2022 >
      • Robin Gow Spring 2022
      • T.D. Walker Spring 2022
      • Jen Schalliol Huang Spring 2022
      • Yvonne Zipter Spring 2022
      • Carrie McGath Spring 2022
      • Lupita Eyde-Tucker Spring 2022
      • Susan L. Leary Spring 2022
      • Kate Sweeney Spring 2022
      • Rita Mookerjee Spring 2022
      • Erin Carlyle Spring 2022
      • Cori Bratty-Rudd Spring 2022
      • Jen Karetnick Spring 2022
      • Meghan Sterling Spring 2022
      • Lorelei Bacht Spring 2022
      • Michael Passafiume Spring 2022
      • Jeannine Hall Gailey Spring 2022
      • Phil Goldstein Spring 2022
      • Michael Mingo Spring 2022
      • Angie Macri Spring 2022
      • Martha Silano Spring 2022
      • Vismai Rao Spring 2022
      • Anna Laura Reeve Spring 2022
      • Jenny Irish Spring 2022
      • Marek Kulig Spring 2022
      • Jami Macarty Spring 2022
      • Sarah A. Rae Spring 2022
      • Brittney Corrigan Spring 2022
      • Callista Buchen Spring 2022
      • Issam Zineh Spring 2022
      • MICHAEL CHANG Spring 2022
      • henry 7. reneau, jr. Spring 2022
      • Leah Umansky Spring 2022
      • Cody Beck Spring 2022
      • Danyal Kim Spring 2022
      • Rachel DeWoskin Spring 2022
    • Issue #23 Fiction Spring 2022 >
      • Melissa Boberg Spring 2022
    • Issue #23 Nonfiction Spring 2022 >
      • Srinaath Perangur Spring 2022
      • Audrey T. Carroll Spring 2022