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Book Review: Patricia Colleen Murphy’s Hemming Flames 

Patricia Colleen Murphy
Hemming Flames
Utah State University Press, 2016
ISBN: 978-1-60732-557-4 
$16.95 paperback


Patricia Colleen Murphy founded Superstition Review at Arizona State University, where she teaches creative writing and magazine production. Her work has appeared in many literary journals, including The Iowa Review, Quarterly West, American Poetry Review, North American Review, Poetry Northwest, Third Coast, Natural Bridge, and others. Her work has received awards from the Associated Writing Programs and the Academy of American Poets, Gulf Coast, Bellevue Literary Review, The Madison Review, Glimmer Train Press, and The Southern California Review. A chapter of her memoir-in-progress was published as a chapbook by New Orleans Review.

Review



































A Review Patricia Colleen Murphy’s Hemming Flames by R. E. Steele
 
As readers travel through Patricia Colleen Murphy’s Hemming Flames, they become familiarized with family mental illness. We see it in the speaker’s abusive home, the asylums in Moscow, and the fires that destroyed the Namdaemun Gate. The author's variety of form allows her to explore the speaker’s progression from abused teen to an adjusting adult. Influenced by poets like Hart Crane and Sharon Olds, Murphy’s book offers a reflective, personal, and emotionally cognizant series.
 
The most indicative device that Murphy uses to approach mental illness within the home is through the use of different poetic forms. Her work moves throughout the narrator’s life from adolescence into adulthood. Breaking away from traditional stanzaic constructions indicates the changes and development readers see in the speaker:
​A car could be
 a bottle of pills. A car could be
an antenna. A road could be  
a curve. A hill could be green.
A family could fall         apart while holding hands
 
with 6.5 million people.
    How many of them are smiling?
    How many are receiving bad news?
Notice how the line breaks stagger one another? Murphy separates the speaker from what “could be” with each new line, which resembles how she is emotionally disconnecting from her family and the instability that is created when mental illness is not properly treated. Everyday aspects of life--like cars--become the unexpected, made destructive by “a bottle of pills.” This separation is also apparent in the shift from staggering lines to the space between “fall” and “apart”, creating distance between the family holding hands. Her lines then revert back to a staircase pattern, shifting the gap Murphy made and causing the lines to barely reach out to each other. Though the speaker’s family is still bound by blood, they lose each other in between the manic episodes of mental illness.
 
A more subtle choice Murphy makes to display familial relationships is with the narrator’s reference to her parents not by name, but by using their family title as a proper noun. Notably, this is clear in “With a Whimper”. “...all I can think of is Mom and Dad in urns./Then I see a man with his small son./I see a tender look between them…Just say man or son. Just say woman or daughter.” In this stage of life, the speaker wants to refer to her own family this way, but maintains an inner conflict between a healthy family relationship and the dysfunctional relationship she grew up with. It is not until she reaches adulthood that the titles finally change to “mom and dad”. It can be inferred that the relationship does not change, but rather the narrator’s perspective does. She knows that the relationship she longs for cannot exist, so she settles for using these titles only as identifiers of their familial roles instead.
 
Murphy deconstructs the identity of a family beset with mental illness by unraveling the basic form of poetry and hemming it back together. In Murphy’s work, the effects of the mother’s destructive tendencies are dismantling the family; and, even beyond the home, figures from history are brought to life in this book. Individuals like Chae Jong-gi who set the Namdaemun Gate on fire, setting ablaze the morale of the people with it. His character in Hemming Flames and the real destruction he caused creates an understanding of how the narrator’s mother perceives the world around her during her manic episodes. The mother embodies these propensities and the desire to burn down any bridges held dear. Patricia Colleen Murphy does a remarkable job commenting on this fragility of familial relationships as they are pitted against mental illness. 



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R.E. Steele is a Lewis University graduate, who majored in English with a focus in Creative and Professional Writing, alongside a minor in Chinese. She currently serves as the Book Reviews Editor for Jet Fuel Review. Some of her own writing has been published in the spring 2015 issue of the Windows Fine Arts Magazine. When she has a few moments to herself, she kicks back with a craft beer and has a Netflix binging marathon. Some of her favorites include X-Files, Doctor Who, Orange is the New Black, Californication, and American Horror Story.

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  • Home
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  • Issue 22 Fall 2021
    • Issue #22 Art Fall 2021 >
      • Bonnie Severien Fall 2021
      • Camilla Taylor Fall 2021
      • Guilherme Bergamini Fall 2021
      • Emanuela Iorga Fall 2021
    • Issue #22 Poetry Fall 2021 >
      • Maureen Alsop Fall 2021
      • Annah Browning Fall 2021
      • Romana Iorga Fall 2021
      • Natalie Hampton Fall 2021
      • Sherine Gilmour Fall 2021
      • Adam Day Fall 2021
      • Amanda Auchter Fall 2021
      • Adam Tavel Fall 2021
      • Sara Moore Fall 2021
      • Karen Rigby Fall 2021
      • Daniel Zhang Fall 2021
      • Erika Lutzner Fall 2021
      • Kindall Fredricks Fall 2021
      • Cin Salach Fall 2021
      • Andrew Zawacki Fall 2021
      • Micah Ruelle Fall 2021
      • Rachel Stempel Fall 2021
      • Haley Wooning Fall 2021
      • Rikki Santer Fall 2021
      • Evy Shen Fall 2021
      • Suzanne Frischkorn Fall 2021
      • Danielle Rose Fall 2021
      • Eric Burgoyne Fall 2021
      • John Cullen Fall 2021
      • Maureen Seaton Fall 2021
      • Hannah Stephens Fall 2021
    • Issue #22 Nonfiction Fall 2021 >
      • Kevin Grauke Fall 2021
      • Courtney Justus Fall 2021
      • Amy Nicholson Fall 2021
    • Issue #22 Fiction Fall 2021 >
      • Tina Jenkins Bell Fall 2021
      • David Obuchowski Fall 2021
      • Thomas Misuraca Fall 2021
      • Aiden Baker Fall 2021
      • Jenny Magnus Fall 2021
  • Issue 23 Spring 2022
    • Issue #23 Art Spring 2022 >
      • Jonathan Kvassay Spring 2022
      • Karyna McGlynn Spring 2022
      • Andrea Kowch Spring 2022
      • Layla Garcia-Torres Spring 2022
    • Issue #23 Poetry Spring 2022 >
      • Robin Gow Spring 2022
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      • Jen Schalliol Huang Spring 2022
      • Yvonne Zipter Spring 2022
      • Carrie McGath Spring 2022
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      • Leah Umansky Spring 2022
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    • Issue #23 Fiction Spring 2022 >
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  • Issue #24 Fall 2022
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