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  • Issue 22 Fall 2021
    • Issue #22 Art Fall 2021 >
      • Bonnie Severien Fall 2021
      • Camilla Taylor Fall 2021
      • Guilherme Bergamini Fall 2021
      • Emanuela Iorga Fall 2021
    • Issue #22 Poetry Fall 2021 >
      • Maureen Alsop Fall 2021
      • Annah Browning Fall 2021
      • Romana Iorga Fall 2021
      • Natalie Hampton Fall 2021
      • Sherine Gilmour Fall 2021
      • Adam Day Fall 2021
      • Amanda Auchter Fall 2021
      • Adam Tavel Fall 2021
      • Sara Moore Fall 2021
      • Karen Rigby Fall 2021
      • Daniel Zhang Fall 2021
      • Erika Lutzner Fall 2021
      • Kindall Fredricks Fall 2021
      • Cin Salach Fall 2021
      • Andrew Zawacki Fall 2021
      • Micah Ruelle Fall 2021
      • Rachel Stempel Fall 2021
      • Haley Wooning Fall 2021
      • Rikki Santer Fall 2021
      • Evy Shen Fall 2021
      • Suzanne Frischkorn Fall 2021
      • Danielle Rose Fall 2021
      • Eric Burgoyne Fall 2021
      • John Cullen Fall 2021
      • Maureen Seaton Fall 2021
      • Hannah Stephens Fall 2021
    • Issue #22 Nonfiction Fall 2021 >
      • Kevin Grauke Fall 2021
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      • Amy Nicholson Fall 2021
    • Issue #22 Fiction Fall 2021 >
      • Tina Jenkins Bell Fall 2021
      • David Obuchowski Fall 2021
      • Thomas Misuraca Fall 2021
      • Aiden Baker Fall 2021
      • Jenny Magnus Fall 2021
  • Issue 23 Spring 2022
    • Issue #23 Art Spring 2022 >
      • Jonathan Kvassay Spring 2022
      • Karyna McGlynn Spring 2022
      • Andrea Kowch Spring 2022
      • Layla Garcia-Torres Spring 2022
    • Issue #23 Poetry Spring 2022 >
      • Robin Gow Spring 2022
      • T.D. Walker Spring 2022
      • Jen Schalliol Huang Spring 2022
      • Yvonne Zipter Spring 2022
      • Carrie McGath Spring 2022
      • Lupita Eyde-Tucker Spring 2022
      • Susan L. Leary Spring 2022
      • Kate Sweeney Spring 2022
      • Rita Mookerjee Spring 2022
      • Erin Carlyle Spring 2022
      • Cori Bratty-Rudd Spring 2022
      • Jen Karetnick Spring 2022
      • Meghan Sterling Spring 2022
      • Lorelei Bacht Spring 2022
      • Michael Passafiume Spring 2022
      • Jeannine Hall Gailey Spring 2022
      • Phil Goldstein Spring 2022
      • Michael Mingo Spring 2022
      • Angie Macri Spring 2022
      • Martha Silano Spring 2022
      • Vismai Rao Spring 2022
      • Anna Laura Reeve Spring 2022
      • Jenny Irish Spring 2022
      • Marek Kulig Spring 2022
      • Jami Macarty Spring 2022
      • Sarah A. Rae Spring 2022
      • Brittney Corrigan Spring 2022
      • Callista Buchen Spring 2022
      • Issam Zineh Spring 2022
      • MICHAEL CHANG Spring 2022
      • henry 7. reneau, jr. Spring 2022
      • Leah Umansky Spring 2022
      • Cody Beck Spring 2022
      • Danyal Kim Spring 2022
      • Rachel DeWoskin Spring 2022
    • Issue #23 Fiction Spring 2022 >
      • Melissa Boberg Spring 2022
    • Issue #23 Nonfiction Spring 2022 >
      • Srinaath Perangur Spring 2022
      • Audrey T. Carroll Spring 2022
  • Issue #24 Fall 2022
    • Issue #24 Art Fall 2022 >
      • Marsha Solomon Fall 2022
      • Edward Lee Fall 2022
      • Harryette Mullen Fall 2022
      • Jezzelle Kellam Fall 2022
      • Irina Greciuhina Fall 2022
      • Natalie Christensen Fall 2022
      • Mark Yale Harris Fall 2022
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      • Ursula Sokolowska Fall 2022
    • Issue #24 Poetry Fall 2022 >
      • William Stobb Fall 2022
      • e Fall 2022
      • Stefanie Kirby Fall 2022
      • Lisa Ampleman Fall 2022
      • Will Cordeiro Fall 2022
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      • Peter O'Donovan Fall 2022
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      • Jason Fraley Fall 2022
      • Barbara Saunier Fall 2022
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      • Nick Rattner Fall 2022
      • Cynthia Schwartzberg Edlow Fall 2022
      • Summer J. Hart Fall 2022
      • Daniel Suá​rez Fall 2022
      • Sara Kearns Fall 2022
      • Millicent Borges Accardi Fall 2022
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      • john compton Fall 2022
      • Esther Sadoff Fall 2022
      • Whitney Koo Fall 2022
      • W. J. Lofton Fall 2022
      • Rachel Reynolds Fall 2022
      • Kimberly Ann Priest Fall 2022
      • Annie Przypyszny Fall 2022
      • Konstantin Kulakov Fall 2022
      • Nellie Cox Fall 2022
      • Jennifer Martelli Fall 2022
      • SM Stubbs Fall 2022
      • Joshua Bird Fall 2022
    • Issue #24 Fiction Fall 2022 >
      • Otis Fuqua Fall 2022
      • Hannah Harlow Fall 2022
      • Natalia Nebel Fall 2022
      • Kate Maxwell Fall 2022
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    • Issue #24 Nonfiction Fall 2022 >
      • Courtney Ludwick Fall 2022
      • Anna Oberg Fall 2022
      • Acadia Currah Fall 2022

Wendy Bilen

Roadside Persistence

 
         Shortly after my husband Paul and I purchased our Ford, I discovered fang marks in the front bumper, as if a python with teeth the size of guitar picks had been hitching. This was unwelcome news. We had just ended a turbulent eleven-year relationship with a Corolla, and I was not about to travel that road again, if you know what I mean.
         Admittedly, the Corolla served as a rebound, a pick-me-up after my first car died and my first husband traded me in. A bit banged up from the ride, I let my parents convince me that a four-door was constructed less like origami and held better resale value than, say, a red Miata. That, and they fronted the cash. Weak in so many ways, I consented. Fading photographs portray a happy version of me with my arms around the shiny black bomb, m-m-m-my Corolla. A couple of kids in love.
         How young and naïve we were.
         Not surprisingly, Toyota does not advertise the true meaning of Corolla. Dictionary.com, source of all truth not covered on Wikipedia, calls it the “inner envelope of floral leaves of a flower.” Who names a car after flower parts? People step on flowers. Mean people, but still.
         Our first confrontation involved a woman so eager to get to the McDonald’s drive-thru that she drove through my lane, driving me into a hydrant.
         Weeks later, we, the newly rebuilt Corolla and I, paused in a near-empty parking lot after retrieving theatre tickets. As I left a voicemail for then-boyfriend Paul, I noticed a long boxy car of the Elvis impersonator variety tearing down the lot’s center road. Upon reaching my row, the car abruptly turned. It hit the curb, gaining enough momentum to use my hood as a ramp, drive over the next car, displace a third car, and coast into a space at the far side of the lot. My hood crinkled like a beer can, smashing the windshield but—miraculously—not me. Fused to the seat with fast-drying shock, I tried to figure out what parallel universe I had become stuck in. Two men appeared and asked if I was alright. One looked exactly like Matt Damon, and I kept thinking, wow, he looks exactly like Matt Damon. As we walked toward the runaway car, which had begun to resemble Christine, the back door opened, and somebody’s great-grandmother emerged. She squinted toward the Corolla and then said, “Oh, did we do that?” I exchanged a glance with Matt. Then I dialed my friends at the body shop.
         The Corolla and I endured other trials: towings to dog-patrolled lots for forgetting to vacate on street-cleaning day, a boot for parking at Burger King but ordering at Einstein Brothers, a shattered rear window from an attempted break-in, a keyed side, and a nastygram calling us parallel parking hogs. Bruised we were, but not broken.
         After Paul and I married, we all relocated to Northern Virginia and stayed out of trouble for quite some time. Then we moved into DC, and the pixie dust expired. We exacerbated the problem by parking on our street, a bustling ambulance and bus route. If we used our black-diamond driveway, we would likely awaken to learn that our car had sleepwalked into a bus, which, in retrospect, might have been preferable. To prove my point, I asked an economist to calculate the slope of said driveway. When I showed her diagram to Paul, he argued, "It can't possibly be 78 degrees; 90 degrees is straight up." Whatever. It's steep.
         One evening, as I watched Kevin Kline inform Meryl Streep that he needs her like he needs a case of anthrax, a biliary calculus, pallegra, and encephalitis, the street outside swarmed with police cars, creating a discotheque-type scene in which the Village People might jump out at any minute. A high-speed chase between a stolen minivan and another car had ended only somewhat spectacularly with the minivan hugging our stone retaining wall. When I saw our rusty, dusty hoss curled up and quietly sleeping nearby, I squeaked out a prayer of gratitude and thought, we can't afford to be hit by a maniac. Then I reconsidered: maybe an unlucky strike wasn’t such a bad idea.
         DC: fulfiller of dreams.
         A week later, I heard CRASH-SCRAPE-BANG and peered outside to find an SUV, askew. Our pug said, “You better get out there, fast,” so I rappelled down to the street. A distraught, incoherent woman in health care garb materialized. I reluctantly looked over at our Corolla: its entire driver’s side was bashed in, side view dangling like a cheap earring. The woman confessed that she had ignored a warning light for a couple of weeks, resulting in an untimely axle malfunction precisely where we had parked, though the street was empty for at least a block in either direction. I sensed a pattern forming.
         We got acquainted with a new body shop. I begged the Corolla’s forgiveness.
         The second swipe involved a short elderly man in overalls driving a white van, the third a hit-and-run in the night. Having finally received the message, we started parking on a side street, and just in time: the pole outside our house then intercepted an SUV driven by a man tanked on PCP, which is code for stupid.
         Ne’er-do-wells slowly realized that there was no point in bothering with our car. Even vandals only busted a tiny triangular window, easily fixed with plywood and duct tape, coagulated nectar of the gods. The Corolla was tired. It was time. Scratched, stained, ripped, matted, and dented, virtually no body part had avoided triage. Despite its wounds and imperfections, it had provided, protected, and stayed, which is more than I can say about some people.
         When Paul and I presented the limping Corolla for trade-in on the Ford, we told the dealer it needed work. After a quick review, he reported, without creasing his plastic grin, “Yes, it is kind of rough,” and offered us $600. We accepted.
         Before our first payment, Paul broke off the gas cover, leaving a shallow hole on the side of the car. He handed the severed disc to me, I deposited it in the map pocket, and we drove off.



--
Wendy Bilen is an Illinoisan, born (Arlington Heights) and raised (mostly Elgin), though she transplanted to Washington, DC, a few years back. She is the author of Finding Josie, an award-winning biography-memoir about the search for her grandmother’s legacy (throughout Wisconsin, Minnesota, and North Dakota). Bilen’s essays, articles, and photography have appeared in several journals and newspapers, including the Washington Post. She teaches writing to young women at Trinity College in Washington.

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  • Home
  • About
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  • Issue 22 Fall 2021
    • Issue #22 Art Fall 2021 >
      • Bonnie Severien Fall 2021
      • Camilla Taylor Fall 2021
      • Guilherme Bergamini Fall 2021
      • Emanuela Iorga Fall 2021
    • Issue #22 Poetry Fall 2021 >
      • Maureen Alsop Fall 2021
      • Annah Browning Fall 2021
      • Romana Iorga Fall 2021
      • Natalie Hampton Fall 2021
      • Sherine Gilmour Fall 2021
      • Adam Day Fall 2021
      • Amanda Auchter Fall 2021
      • Adam Tavel Fall 2021
      • Sara Moore Fall 2021
      • Karen Rigby Fall 2021
      • Daniel Zhang Fall 2021
      • Erika Lutzner Fall 2021
      • Kindall Fredricks Fall 2021
      • Cin Salach Fall 2021
      • Andrew Zawacki Fall 2021
      • Micah Ruelle Fall 2021
      • Rachel Stempel Fall 2021
      • Haley Wooning Fall 2021
      • Rikki Santer Fall 2021
      • Evy Shen Fall 2021
      • Suzanne Frischkorn Fall 2021
      • Danielle Rose Fall 2021
      • Eric Burgoyne Fall 2021
      • John Cullen Fall 2021
      • Maureen Seaton Fall 2021
      • Hannah Stephens Fall 2021
    • Issue #22 Nonfiction Fall 2021 >
      • Kevin Grauke Fall 2021
      • Courtney Justus Fall 2021
      • Amy Nicholson Fall 2021
    • Issue #22 Fiction Fall 2021 >
      • Tina Jenkins Bell Fall 2021
      • David Obuchowski Fall 2021
      • Thomas Misuraca Fall 2021
      • Aiden Baker Fall 2021
      • Jenny Magnus Fall 2021
  • Issue 23 Spring 2022
    • Issue #23 Art Spring 2022 >
      • Jonathan Kvassay Spring 2022
      • Karyna McGlynn Spring 2022
      • Andrea Kowch Spring 2022
      • Layla Garcia-Torres Spring 2022
    • Issue #23 Poetry Spring 2022 >
      • Robin Gow Spring 2022
      • T.D. Walker Spring 2022
      • Jen Schalliol Huang Spring 2022
      • Yvonne Zipter Spring 2022
      • Carrie McGath Spring 2022
      • Lupita Eyde-Tucker Spring 2022
      • Susan L. Leary Spring 2022
      • Kate Sweeney Spring 2022
      • Rita Mookerjee Spring 2022
      • Erin Carlyle Spring 2022
      • Cori Bratty-Rudd Spring 2022
      • Jen Karetnick Spring 2022
      • Meghan Sterling Spring 2022
      • Lorelei Bacht Spring 2022
      • Michael Passafiume Spring 2022
      • Jeannine Hall Gailey Spring 2022
      • Phil Goldstein Spring 2022
      • Michael Mingo Spring 2022
      • Angie Macri Spring 2022
      • Martha Silano Spring 2022
      • Vismai Rao Spring 2022
      • Anna Laura Reeve Spring 2022
      • Jenny Irish Spring 2022
      • Marek Kulig Spring 2022
      • Jami Macarty Spring 2022
      • Sarah A. Rae Spring 2022
      • Brittney Corrigan Spring 2022
      • Callista Buchen Spring 2022
      • Issam Zineh Spring 2022
      • MICHAEL CHANG Spring 2022
      • henry 7. reneau, jr. Spring 2022
      • Leah Umansky Spring 2022
      • Cody Beck Spring 2022
      • Danyal Kim Spring 2022
      • Rachel DeWoskin Spring 2022
    • Issue #23 Fiction Spring 2022 >
      • Melissa Boberg Spring 2022
    • Issue #23 Nonfiction Spring 2022 >
      • Srinaath Perangur Spring 2022
      • Audrey T. Carroll Spring 2022
  • Issue #24 Fall 2022
    • Issue #24 Art Fall 2022 >
      • Marsha Solomon Fall 2022
      • Edward Lee Fall 2022
      • Harryette Mullen Fall 2022
      • Jezzelle Kellam Fall 2022
      • Irina Greciuhina Fall 2022
      • Natalie Christensen Fall 2022
      • Mark Yale Harris Fall 2022
      • Amy Nelder Fall 2022
      • Bette Ridgeway Fall 2022
      • Ursula Sokolowska Fall 2022
    • Issue #24 Poetry Fall 2022 >
      • William Stobb Fall 2022
      • e Fall 2022
      • Stefanie Kirby Fall 2022
      • Lisa Ampleman Fall 2022
      • Will Cordeiro Fall 2022
      • Jesica Davis Fall 2022
      • Peter O'Donovan Fall 2022
      • Mackenzie Carignan Fall 2022
      • Jason Fraley Fall 2022
      • Barbara Saunier Fall 2022
      • Chad Weeden Fall 2022
      • Nick Rattner Fall 2022
      • Cynthia Schwartzberg Edlow Fall 2022
      • Summer J. Hart Fall 2022
      • Daniel Suá​rez Fall 2022
      • Sara Kearns Fall 2022
      • Millicent Borges Accardi Fall 2022
      • Liz Robbins Fall 2022
      • john compton Fall 2022
      • Esther Sadoff Fall 2022
      • Whitney Koo Fall 2022
      • W. J. Lofton Fall 2022
      • Rachel Reynolds Fall 2022
      • Kimberly Ann Priest Fall 2022
      • Annie Przypyszny Fall 2022
      • Konstantin Kulakov Fall 2022
      • Nellie Cox Fall 2022
      • Jennifer Martelli Fall 2022
      • SM Stubbs Fall 2022
      • Joshua Bird Fall 2022
    • Issue #24 Fiction Fall 2022 >
      • Otis Fuqua Fall 2022
      • Hannah Harlow Fall 2022
      • Natalia Nebel Fall 2022
      • Kate Maxwell Fall 2022
      • Helena Pantsis Fall 2022
    • Issue #24 Nonfiction Fall 2022 >
      • Courtney Ludwick Fall 2022
      • Anna Oberg Fall 2022
      • Acadia Currah Fall 2022