Jet Fuel Review
  • Home
  • About
    • Our Story
    • Masthead
  • Submit
    • Submission Guidelines
    • Submit Here
  • Features
  • Interviews
  • Book Reviews
  • Previous Issues
  • Blog
  • Contact
  • Issue #27 Spring 2024
    • Issue #27 Art Spring 2024 >
      • Kristina Erny Spring 2024
      • Luiza Maia Spring 2024
      • Christy Lee Rogers Spring 2024
      • Erika Lynet Salvador Spring 2024
      • Marsha Solomon Spring 2024
    • Issue #27 Poetry Spring 2024 >
      • Terry Belew Spring 2024
      • Dustin Brookshire​ & Diamond Forde Spring 2024 Spring 2024
      • Dustin Brookshire​ & Caridad Moro-Gronlier Spring 2024 Spring 2024
      • Charlie Coleman Spring 2024
      • Isabelle Doyle Spring 2024
      • Reyzl Grace Spring 2024
      • Kelly Gray Spring 2024
      • Meredith Herndon Spring 2024
      • Mina Khan Spring 2024
      • Anoushka Kumar Spring 2024
      • Cate Latimer Spring 2024
      • BEE LB Spring 2024
      • Grace Marie Liu​ Spring 2024
      • Sarah Mills Spring 2024
      • Faisal Mohyuddin 2024
      • Marcus Myers Spring 2024
      • Mike Puican Spring 2024
      • Sarah Sorensen Spring 2024
      • Lynne Thompson Spring 2024
      • Natalie Tombasco Spring 2024
      • Alexandra van de Kamp Spring 2024
      • Donna Vorreyer Spring 2024
    • Fiction #27 Spring 2024 >
      • Bryan Betancur Spring 2024
      • Karen George Spring 2024
      • Raja'a Khalid Spring 2024
      • Riley Manning Spring 2024
      • Adina Polatsek Spring 2024
      • Beth Sherman Spring 2024
    • Nonfiction #27 Spring 2024 >
      • Liza Olson Spring 2024
  • Issue #28 Fall 2024
    • Issue #28 Art Fall 2024 >
      • Eric Calloway Fall 2024
      • Matthew Fertel Fall 2024
      • JooLee Kang Fall 2024
      • Jian Kim Fall 2024
      • Robb Kunz Fall 2024
      • Sean Layh Fall 2024
    • Issue #28 Poetry Fall 2024 >
      • Jodi Balas Fall 2024
      • Clayre Benzadón Fall 2024
      • Catherine Broadwall Fall 2024
      • Sara Burge Fall 2024
      • Judith Chalmer Fall 2024
      • Stephanie Choi Fall 2024
      • Sarah Jack Fall 2024
      • Jen Karetnick Fall 2024
      • Ae Hee Lee Fall 2024
      • Svetlana Litvinchuk Fall 2024
      • Mary Lou Buschi Fall 2024
      • Angie Macri Fall 2024
      • Gary McDowell Fall 2024
      • Sam Moe Fall 2024
      • Camille Newsom Fall 2024
      • Elizabeth O'Connell- Thompson Fall 2024
      • Olatunde Osinaike Fall 2024
      • Jessica Pierce Fall 2024
      • Diane Raptosh Fall 2024
      • Isaac Richards Fall 2024
      • Robyn Schelenz Fall 2024
      • Christopher Shipman Fall 2024
      • Alex Tretbar Fall 2024
      • Ruth Williams Fall 2024
      • Shannon K. Winston Fall 2024
      • Wendy Wisner Fall 2024
      • Anne Gerard Fall 2024
    • Issue #28 Fiction Fall 2024 >
      • J​oe Baumann Fall 2024
      • ​Morganne Howell Fall 2024
      • Matt Paczkowski Fall 2024
      • Ryan Peed Fall 2024
      • Gabriella Pitts Fall 2024
      • James Sullivan Fall 2024
  • Issue #29 Spring 2025
    • Issue #29 Art Spring 2025 >
      • Irina Greciuhina Spring 2025
      • Jesse Howard Spring 2025
      • Paul Simmons Spring 2025
      • Marsha Solomon Spring 2025
      • Elzbieta Zdunek Spring 2025
      • Na Yoon Amelia Cha-Ryu Spring 2025
    • Issue #29 Poetry Spring 2025 >
      • Deborah Bacharach Spring 2025
      • Diego Báez Spring 2025
      • Jaswinder Bolina Spring 2025
      • ​Ash Bowen Spring 2025
      • Christian J. Collier Spring 2025
      • ​Shou Jie Eng Spring 2025
      • Sara Fitzpatrick Spring 2025
      • Matthew Gilbert Spring 2025
      • Tammy C. Greenwood Spring 2025
      • Alejandra Hernández ​Spring 2025
      • Ben Kline ​Spring 2025
      • ​David Moolten Spring 2025
      • ​Tamer Mostafa Spring 2025
      • ​Rongfei Mu Spring 2025
      • Cynthia Neely Spring 2025
      • Pablo Otavalo Spring 2025
      • ​Bleah Patterson Spring 2025
      • ​M.A. Scott Spring 2025
      • ​Liam Strong ​ Spring 2025
      • Alexandra van de Kamp Spring 2025
      • ​Cassandra Whitaker Spring 2025
      • Angelique Zobitz Spring 2025
    • Issue #29 Fiction Spring 2025 >
      • Vanessa Blakeslee Spring 2025
      • K. J. Coyle Spring 2025
      • Meredith MacLeod Davidson Spring 2025
      • Jessica Mosher Spring 2025
    • Issue #29 Nonfiction Spring 2025 >
      • JM Huscher Spring 2025
      • Qurrat ul ain Raza Abbas Spring 2025
  • Issue #30 Fall 2025

Wendy Bilen

Roadside Persistence

 
         Shortly after my husband Paul and I purchased our Ford, I discovered fang marks in the front bumper, as if a python with teeth the size of guitar picks had been hitching. This was unwelcome news. We had just ended a turbulent eleven-year relationship with a Corolla, and I was not about to travel that road again, if you know what I mean.
         Admittedly, the Corolla served as a rebound, a pick-me-up after my first car died and my first husband traded me in. A bit banged up from the ride, I let my parents convince me that a four-door was constructed less like origami and held better resale value than, say, a red Miata. That, and they fronted the cash. Weak in so many ways, I consented. Fading photographs portray a happy version of me with my arms around the shiny black bomb, m-m-m-my Corolla. A couple of kids in love.
         How young and naïve we were.
         Not surprisingly, Toyota does not advertise the true meaning of Corolla. Dictionary.com, source of all truth not covered on Wikipedia, calls it the “inner envelope of floral leaves of a flower.” Who names a car after flower parts? People step on flowers. Mean people, but still.
         Our first confrontation involved a woman so eager to get to the McDonald’s drive-thru that she drove through my lane, driving me into a hydrant.
         Weeks later, we, the newly rebuilt Corolla and I, paused in a near-empty parking lot after retrieving theatre tickets. As I left a voicemail for then-boyfriend Paul, I noticed a long boxy car of the Elvis impersonator variety tearing down the lot’s center road. Upon reaching my row, the car abruptly turned. It hit the curb, gaining enough momentum to use my hood as a ramp, drive over the next car, displace a third car, and coast into a space at the far side of the lot. My hood crinkled like a beer can, smashing the windshield but—miraculously—not me. Fused to the seat with fast-drying shock, I tried to figure out what parallel universe I had become stuck in. Two men appeared and asked if I was alright. One looked exactly like Matt Damon, and I kept thinking, wow, he looks exactly like Matt Damon. As we walked toward the runaway car, which had begun to resemble Christine, the back door opened, and somebody’s great-grandmother emerged. She squinted toward the Corolla and then said, “Oh, did we do that?” I exchanged a glance with Matt. Then I dialed my friends at the body shop.
         The Corolla and I endured other trials: towings to dog-patrolled lots for forgetting to vacate on street-cleaning day, a boot for parking at Burger King but ordering at Einstein Brothers, a shattered rear window from an attempted break-in, a keyed side, and a nastygram calling us parallel parking hogs. Bruised we were, but not broken.
         After Paul and I married, we all relocated to Northern Virginia and stayed out of trouble for quite some time. Then we moved into DC, and the pixie dust expired. We exacerbated the problem by parking on our street, a bustling ambulance and bus route. If we used our black-diamond driveway, we would likely awaken to learn that our car had sleepwalked into a bus, which, in retrospect, might have been preferable. To prove my point, I asked an economist to calculate the slope of said driveway. When I showed her diagram to Paul, he argued, "It can't possibly be 78 degrees; 90 degrees is straight up." Whatever. It's steep.
         One evening, as I watched Kevin Kline inform Meryl Streep that he needs her like he needs a case of anthrax, a biliary calculus, pallegra, and encephalitis, the street outside swarmed with police cars, creating a discotheque-type scene in which the Village People might jump out at any minute. A high-speed chase between a stolen minivan and another car had ended only somewhat spectacularly with the minivan hugging our stone retaining wall. When I saw our rusty, dusty hoss curled up and quietly sleeping nearby, I squeaked out a prayer of gratitude and thought, we can't afford to be hit by a maniac. Then I reconsidered: maybe an unlucky strike wasn’t such a bad idea.
         DC: fulfiller of dreams.
         A week later, I heard CRASH-SCRAPE-BANG and peered outside to find an SUV, askew. Our pug said, “You better get out there, fast,” so I rappelled down to the street. A distraught, incoherent woman in health care garb materialized. I reluctantly looked over at our Corolla: its entire driver’s side was bashed in, side view dangling like a cheap earring. The woman confessed that she had ignored a warning light for a couple of weeks, resulting in an untimely axle malfunction precisely where we had parked, though the street was empty for at least a block in either direction. I sensed a pattern forming.
         We got acquainted with a new body shop. I begged the Corolla’s forgiveness.
         The second swipe involved a short elderly man in overalls driving a white van, the third a hit-and-run in the night. Having finally received the message, we started parking on a side street, and just in time: the pole outside our house then intercepted an SUV driven by a man tanked on PCP, which is code for stupid.
         Ne’er-do-wells slowly realized that there was no point in bothering with our car. Even vandals only busted a tiny triangular window, easily fixed with plywood and duct tape, coagulated nectar of the gods. The Corolla was tired. It was time. Scratched, stained, ripped, matted, and dented, virtually no body part had avoided triage. Despite its wounds and imperfections, it had provided, protected, and stayed, which is more than I can say about some people.
         When Paul and I presented the limping Corolla for trade-in on the Ford, we told the dealer it needed work. After a quick review, he reported, without creasing his plastic grin, “Yes, it is kind of rough,” and offered us $600. We accepted.
         Before our first payment, Paul broke off the gas cover, leaving a shallow hole on the side of the car. He handed the severed disc to me, I deposited it in the map pocket, and we drove off.



--
Wendy Bilen is an Illinoisan, born (Arlington Heights) and raised (mostly Elgin), though she transplanted to Washington, DC, a few years back. She is the author of Finding Josie, an award-winning biography-memoir about the search for her grandmother’s legacy (throughout Wisconsin, Minnesota, and North Dakota). Bilen’s essays, articles, and photography have appeared in several journals and newspapers, including the Washington Post. She teaches writing to young women at Trinity College in Washington.

    Get updates from jet fuel review

Subscribe to Newsletter
© COPYRIGHT 2019. ALL RIGHTS RESERVED.
  • Home
  • About
    • Our Story
    • Masthead
  • Submit
    • Submission Guidelines
    • Submit Here
  • Features
  • Interviews
  • Book Reviews
  • Previous Issues
  • Blog
  • Contact
  • Issue #27 Spring 2024
    • Issue #27 Art Spring 2024 >
      • Kristina Erny Spring 2024
      • Luiza Maia Spring 2024
      • Christy Lee Rogers Spring 2024
      • Erika Lynet Salvador Spring 2024
      • Marsha Solomon Spring 2024
    • Issue #27 Poetry Spring 2024 >
      • Terry Belew Spring 2024
      • Dustin Brookshire​ & Diamond Forde Spring 2024 Spring 2024
      • Dustin Brookshire​ & Caridad Moro-Gronlier Spring 2024 Spring 2024
      • Charlie Coleman Spring 2024
      • Isabelle Doyle Spring 2024
      • Reyzl Grace Spring 2024
      • Kelly Gray Spring 2024
      • Meredith Herndon Spring 2024
      • Mina Khan Spring 2024
      • Anoushka Kumar Spring 2024
      • Cate Latimer Spring 2024
      • BEE LB Spring 2024
      • Grace Marie Liu​ Spring 2024
      • Sarah Mills Spring 2024
      • Faisal Mohyuddin 2024
      • Marcus Myers Spring 2024
      • Mike Puican Spring 2024
      • Sarah Sorensen Spring 2024
      • Lynne Thompson Spring 2024
      • Natalie Tombasco Spring 2024
      • Alexandra van de Kamp Spring 2024
      • Donna Vorreyer Spring 2024
    • Fiction #27 Spring 2024 >
      • Bryan Betancur Spring 2024
      • Karen George Spring 2024
      • Raja'a Khalid Spring 2024
      • Riley Manning Spring 2024
      • Adina Polatsek Spring 2024
      • Beth Sherman Spring 2024
    • Nonfiction #27 Spring 2024 >
      • Liza Olson Spring 2024
  • Issue #28 Fall 2024
    • Issue #28 Art Fall 2024 >
      • Eric Calloway Fall 2024
      • Matthew Fertel Fall 2024
      • JooLee Kang Fall 2024
      • Jian Kim Fall 2024
      • Robb Kunz Fall 2024
      • Sean Layh Fall 2024
    • Issue #28 Poetry Fall 2024 >
      • Jodi Balas Fall 2024
      • Clayre Benzadón Fall 2024
      • Catherine Broadwall Fall 2024
      • Sara Burge Fall 2024
      • Judith Chalmer Fall 2024
      • Stephanie Choi Fall 2024
      • Sarah Jack Fall 2024
      • Jen Karetnick Fall 2024
      • Ae Hee Lee Fall 2024
      • Svetlana Litvinchuk Fall 2024
      • Mary Lou Buschi Fall 2024
      • Angie Macri Fall 2024
      • Gary McDowell Fall 2024
      • Sam Moe Fall 2024
      • Camille Newsom Fall 2024
      • Elizabeth O'Connell- Thompson Fall 2024
      • Olatunde Osinaike Fall 2024
      • Jessica Pierce Fall 2024
      • Diane Raptosh Fall 2024
      • Isaac Richards Fall 2024
      • Robyn Schelenz Fall 2024
      • Christopher Shipman Fall 2024
      • Alex Tretbar Fall 2024
      • Ruth Williams Fall 2024
      • Shannon K. Winston Fall 2024
      • Wendy Wisner Fall 2024
      • Anne Gerard Fall 2024
    • Issue #28 Fiction Fall 2024 >
      • J​oe Baumann Fall 2024
      • ​Morganne Howell Fall 2024
      • Matt Paczkowski Fall 2024
      • Ryan Peed Fall 2024
      • Gabriella Pitts Fall 2024
      • James Sullivan Fall 2024
  • Issue #29 Spring 2025
    • Issue #29 Art Spring 2025 >
      • Irina Greciuhina Spring 2025
      • Jesse Howard Spring 2025
      • Paul Simmons Spring 2025
      • Marsha Solomon Spring 2025
      • Elzbieta Zdunek Spring 2025
      • Na Yoon Amelia Cha-Ryu Spring 2025
    • Issue #29 Poetry Spring 2025 >
      • Deborah Bacharach Spring 2025
      • Diego Báez Spring 2025
      • Jaswinder Bolina Spring 2025
      • ​Ash Bowen Spring 2025
      • Christian J. Collier Spring 2025
      • ​Shou Jie Eng Spring 2025
      • Sara Fitzpatrick Spring 2025
      • Matthew Gilbert Spring 2025
      • Tammy C. Greenwood Spring 2025
      • Alejandra Hernández ​Spring 2025
      • Ben Kline ​Spring 2025
      • ​David Moolten Spring 2025
      • ​Tamer Mostafa Spring 2025
      • ​Rongfei Mu Spring 2025
      • Cynthia Neely Spring 2025
      • Pablo Otavalo Spring 2025
      • ​Bleah Patterson Spring 2025
      • ​M.A. Scott Spring 2025
      • ​Liam Strong ​ Spring 2025
      • Alexandra van de Kamp Spring 2025
      • ​Cassandra Whitaker Spring 2025
      • Angelique Zobitz Spring 2025
    • Issue #29 Fiction Spring 2025 >
      • Vanessa Blakeslee Spring 2025
      • K. J. Coyle Spring 2025
      • Meredith MacLeod Davidson Spring 2025
      • Jessica Mosher Spring 2025
    • Issue #29 Nonfiction Spring 2025 >
      • JM Huscher Spring 2025
      • Qurrat ul ain Raza Abbas Spring 2025
  • Issue #30 Fall 2025